Creative Magic Quotes

Art is magic... But how is it magic? In its metaphysical development? Or does some final transformation culminate in a magic reality? In truth, the latter is impossible without the former. If creation is not magic, the outcome cannot be magic.

When a writer makes something, it's theirs forever. That is the magic for me.

To me, all creativity is magic. Ideas start out in the empty void of your head - and they end up as a material thing, like a book you can hold in your hand. That is the magical process. It's an alchemical thing. Yes, we do get the gold out of it but that's not the most important thing. It's the work itself.

How do I define a work of art? It is not an asset in the stock-exchange sense, but a man's timid attempt to repeat the miracle that the simplest peasant girl is capable of at any time, that of magically producing life out of nothing.

To create anything — whether a short story or a magazine profile or a film or a sitcom — is to believe, if only momentarily, you are capable of magic. These essays are about that magic — which is sometimes perilous, sometimes infectious, sometimes fragile, sometimes failed, sometimes infuriating, sometimes triumphant, and sometimes tragic. I went up there. I wrote. I tried to see.

There is some confusion as to what magic actually is. I think this can be cleared up if you just look at the very earliest descriptions of magic. Magic in its earliest form is often referred to as “the art”. I believe this is completely literal. I believe that magic is art and that art, whether it be writing, music, sculpture, or any other form is literally magic.

I was always fascinated by the fact that you could take paper and ink and create worlds, images, characters. It seemed like magic.

Writing stories is a kind of magic, too.

It is to be remembered that the origin of all the arts-music, painting and writing-is magical and evocative; and that magic is always used to obtain some definite result.

I don't want to spoil the magic, but it's a very curious thing that honestly baffles me. It's the nearest we'll ever get to playing God, to suddenly produce these fully formed creatures. It is a bit odd. Other aspects you work out more - you rework sentences, you rework imagery. But not characters.

To see itself through, music must have idea or magic. ... Music with neither dies young though rich.

I draw the line at letting people into my songwriting cave. To me, that's where the alchemy happens and where the mystery is.

You know, whatever happens between the two of us that's created when we come together as actors is not something I think we can explain.

When you sit down and write a song, you kind of have the idea for the song, and you sit there at the piano and you kinda just write it. And then of course later there's some dinking around with it and changing some stuff. But there's this thing that happens when the song first comes out, that sort of magic when it first comes out of the ether, and you can't even really explain where it comes from. That happens so much with music, and people understand that with music. But I really think that a lot of movie and TV should be the same way.

The curious thing about the Ready-Made is that I've never been able to arrive at a definition or explanation that fully satisfies me. There's still magic in the idea, so I'd rather keep it that way than try to be exoteric about it.

There's something really cool about taking oily coloured paste and pushing it around with these hairy sticks and making something that looks like you. That's the magic of painting.

I'd like to connect with music like I did in the beginning. To have that intensity again, to have a song that comes on at 1 o'clock in the morning and it's the premiere song at that point. It's almost magic because, when you condition for it, it doesn't take long for you to write the content that everyone in the world can agree on at one time.

I love to create magic - to put something together that's so unusual, so unexpected that it blows people's heads off. Something ahead of the times. Five steps ahead of what people are thinking.

A painting is more than the sum of its parts,' he would tell me, and then go on to explain how the cow by itself is just a cow, and the meadow by itself is just grass and flowers, and the sun peeking through the trees is just a beam of light, but put them all together and you've got magic.

It's a weird business. You're trying to write something that's built on magic, which is pretty stressful.

All creative art is magic , is evocation of the unseen in forms persuasive, enlightening, familiar and surprising, for the edification of mankind , pinned down by the conditions of its existence to the earnest consideration of the most insignificant tides of reality .

I think the thing that I lost in myself when I stopped writing fiction and the thing that I rediscovered and started mining again is, for lack of a better word, magic. It's the way you can brush up against the inexplicable and the mystical.

The cast you are working with is important because it involves a give-and-take relationship. For me, when you have strong performers, multiple things happen, the magic of creation happens. That's where you build the craft.

An editor is like a painter. There is a magic in that.

Now that I'm in 'Nashville,' the thing that I'm loving the most is co-writing. You walk into the room and you shake hands with someone you've never met before and you walk out four hours later and you've got this thing... sharing ideas and everything, it's almost magical, like a miracle.