The important thing is not what we write but how we write, and in my opinion the modern writer must be an adventurer above all, willing to take every risk, and be prepared to founder in his effort if need be. In other words we must write dangerously
I think writers rush in where everybody is very frightened to tread.
I think Stieg Larsson was pretty brave. He wanted to bring up things that we don't like to talk about, or like to ignore.
I know that an author must be brave enough to chop away clinging tentacles of good taste for the sake of a great work. But this is no great work, you see.
I am certainly a fearful person, but fearless in my writing. So there's that other person inside.
It has forever been thus: So long as men write what they think, then all of the other freedoms - all of them - may remain intact. And it is then that writing becomes a weapon of truth, an article of faith, an act of courage.
I like Beryl Bainbridge a great deal, and she is a writer who absolutely demands to be read a second, third, and fourth time. I admire her great courage in leaving so much unsaid and asking the reader to really engage her brain.
If you want to be a serious writer, then you have to write what there is to write about. If you're going to pull your punches and second-guess yourself and not do things because you're worried, then don't write. Stay home and do something else.
My main strength as a young writer was that I had no fear of making mistakes. I knew I would and I knew I could and would learn from them.
If a writer is so cautious that he never writes anything that cannot be criticized, he will never be able to write anything that can be read. If you want to help other people you have got to make up your mind to write things that some men will condemn.
Write what disturbs you, what you fear, what you have not been willing to speak about. Be willing to be split open.
'Shun security,' I advise aspiring novelists when they complain to me that they are stuck. 'Get disoriented. Maybe your agonizing writing block isn't agonizing enough. Your enemy is comfort.'
As a writer, the best mindset is to be unafraid.
All good writers inspire me as I have never thought I was any good. As far as a writer who made me think I could do it, it was Henry Miller. Not because I thought he was so simple that I reckoned I could pull it off as well, but it was his freedom and guts that really moved me to want to write all the time.
A writer must be fearless. A writer has to be like a clawed animal." -The Carrie Diaries pg. 337
I admire anybody who has the guts to write anything at all.
What I've always seen in writers and artists is the courage it takes to make an original work of art. I think the real risks in literature are linguistic and intellectual, and I hope we can highlight those, as well as political courage.
Create dangerously, for people who read dangerously. ... Writing, knowing in part that no matter how trivial your words may seem, someday, somewhere, someone may risk his or her life to read them.
We have all this courage as writers, but then there's this fear.
Every writer has something to say, but those writers whose works endure have dared to say something about the things that frighten them, confuse them, challenge them, and occasionally delight them.
Because the chief commodity a writer has to sell is his courage. And if he has none, he is more than a coward. He is a sellout and a fink and a heretic, because writing is a holy chore.
