There's something very noble about the bowling shoe. It has very little pretense, and it's kind of naughty. You have to share them with a bunch of other people, which is so kinky in a way that I like. What other shoes would you actively share with other people?
I can't wear a sari to save my life. So when I'm designing them, I know what I want: it definitely has to be lightweight and have pockets - girls have a lot to carry around, let's face it.
I think that men should wear shoes that if there's an emergency, they're gonna be able to help.
I say homes are for families, and you have to make sure you design for the family, not just one person: kids, your wife, your grandparents need to be able to use it.
People, when they say 'streetwear,' they miss the central component, which is that it's real people; it's clothes that are worn on the street.
We don't have one of those houses where there's a rope that separates the kids' area from the adult area. There's a happy medium. It's all about fabric choices, accessories.
I love a pocket. I'm about helping women look as good as possible on the least amount of effort. I want versatility and comfort. Clothes that can go from the office to anywhere. We're always trying on samples at work. If none of us would wear it, chances are no one else will.
I've discovered that I value simplicity above all in dressing. I don't like anything I wear to be too complicated or fussy.
I love novelty workout pants. It means my workout kit is really bright and vibrant and out there.
The most important message is to let me just focus on making the most beautiful normcore clothes, but as luxurious as possible.
The danger is we're losing sight of what women really want to wear.
I love having beautiful furniture and things, but I don't want my space to look like a showroom.
