It was a challenge, to work with Oliver Stone.
I was playing with George Harrison one time, and George loves takes. This song was up to Take 160. I said, 'George, do you want me to play the same thing or 160 different things?' It drove me crazy because, in general, I'm ready to play my part.
A lot of times when you're trying to do improv, everybody's doing a different style.
One of the fun things in the old days about writing with Frank Miller was that every issue of 'Daredevil' was a challenge to every issue of 'X-Men.'
I always find it much easier when there's one person whose vision you're following, as opposed to many people.
I am a horror to work with for any singer. At first, no one will like to work with me, but it changes once the song releases.
There's a bit of a problem. The script that I like, the network doesn't like. The script that they like, I don't like.
Sometimes when you do a part, the wall between you and the characters can be very porous. You can sort of move in and out of your character's persona and being. And that just couldn't happen on this one because of working with him.
