Classic Clothing Quotes

I've got no problem whatsover with collar bars coming back in. I need to look a tiny bit older before I can dress like that the entire time - otherwise I'm going to look like I'm in 'Bugsy Malone.'

Frankly, from my perspective, the bomber jacket is such a classic item you can wear it even when it's not on trend.

Personally, I'm very classic. If I'm going to wear a suit, it's going to be classic, black, and fit very well. There's nothing like it.

My fashion icons are Audrey Hepburn, Grace Kelly and Ava Gardner. Their classic looks and clean lines should be the cornerstones of your wardrobe - white cotton shirts, black Capri pants, pencil skirts and ballerina skirts.

My style was nostalgic and involved pearls and penny loafers, always with the pennies in them.

I am a huge, huge fan of the plain white tee. A good-fitting, vintage plain white t-shirt, like the 'boyfriend shirt', is the sexiest thing a girl can wear. It goes with anything, fancy or casual.

I always say spend more on classics, like a good pair of leather trousers, an amazing tailored jacket, or a classic handbag. Then you can just mix your everyday tops from the high street.

Simple. Pared down. Timeless. The ties were never too thick or too thin; the pants were never too flared or too skinny. In my life with Dad, he wore Western apparel because we went riding - jeans, cowboy boots, the turquoise belt buckle. But it was all very simple, and that classic look is very 'Ralph Lauren.'

My mum was very conscious about fashion, and my dad was born into the tailoring tradition, so fashion has always been my life, although now, really, I wear the same thing - just in different weights - light and heavy cashmere in winter and cotton in summer. And jeans.

My dad was a mechanic, and I have great style memories of him. He wore, every single day: a blue chambray shirt, Levi's 501s, and Red Wing boots. And that certainly wasn't fashionable at the time; it was basically the opposite. And he wore these horn rim glasses that were very Sol Moscot.

I don't repeat that many styles if I can help, although some have become classics. I try not to repeat. I'd rather surprise people.

I love all vintage-everything, really. I love fashion. I've always loved it. And the fifties, I've always loved.

For men, it's about finding the perfect shoe or the perfect pants that will last you through the years. That's how I want to shop: sustainable, classic, great quality.

I stick with a '60s vintage aesthetic of letterman's jackets, plain T-shirts, and good jeans.

I'm a T-shirt-and-Levi's type of a guy.

I wanted to create things that you can always pull out of your closet and rely on. I wanted to create a timeless, classic collection of clothing that you can keep expanding on.

My wardrobe consists of antique clothes, many of my designs, plus shoes and shirts from Brooks Brothers and Paul Stuart.

The way we dress on 'Mad Men' is so associated with old photographs, with people's parents and grandparents.

Every girl should have a little black dress, a great boyfriend blazer and a pair of skinny jeans in their wardrobe.

Stick to the classics, and you can't ever go wrong. I see old ladies on the street who have fabulous style and realize it's because they are probably wearing really classic items that they've had for years and years. I think if you find something that suits you, you should just stick to it.

My clothes have a story. They have an identity. They have a character and a purpose. That's why they become classics. Because they keep on telling a story. They are still telling it.

Build a wardrobe rather than focusing on trends.

I still like my antique clothes.

I got everything I wanted from my parents: Brooks Brothers sweaters and Spalding saddle shoes.

I like to think that people are buying Emilia Wickstead because they want to keep it in their wardrobe as an investment piece; she's not just buying it because it's of the moment or what's currently in season.