Cinematic Beauty Quotes

I can't see any reason why a film shouldn't be stylized and visually beautiful. I don't think a beautiful set is pretentious.

[David Lean's] images stay with me forever. But what makes them memorable isn't necessarily their beauty. That's just good photography. It's the emotion behind those images that's meant the most to me over the years. It's the way David Lean can put feeling on film. The way he shows a whole landscape of the spirit. For me, that's the real geography of David Lean country. And that's why, in a David Lean movie, there's no such thing as an empty landscape.

I love San Francisco, and it offers spectacular scenery of the city, and it adds to the uplifting quality of the movie.

One of my favourite movies is Billy Wilder's 'The Apartment.' It's shot in super wide screen, and it's beautiful.

(On Ingrid Bergman) "I didn't do anything I've never done before, but when the camera moves in on that Bergman face, and she's saying she loves you, it would make anybody feel romantic."

There is something that might be called cinematic beauty. It can only be expressed in a film, and it must be present for that film to be a moving work. When it is very well expressed, one experiences a particularly deep emotion while watching that film. I believe that it is this quality that draws people to come and see a film, and that it is the hope of attaining this quality that inspires the filmmaker to make his film in the first place.

Gene [Siskel] often mentioned something François Truffaut once told him: the most beautiful sight in a movie theater is to walk down to the front, turn around, and look at the light from the screen reflected on the upturned faces of the members of the audience.

I was glamorous because of magicians like George Folsey, James Wong Howe, Oliver Marsh, Ray June, and all those other great cinematographers. I trusted those men and the other experts who made us beautiful. The rest of it I didn't give a damn about. I didn't fuss about my clothes, my lighting, or anything else, but, believe me, some of them did.

I'm an absolute fan of Angela Bassett. I think she's a great, great actress. In the biopics, she is so moving. She's very rare. It's something that doesn't happen that much, to see an actress inventing a new way of showing 'woman' onscreen, and a new way of being beautiful.

The beauty of life are women, no one loves them as much as me. I adore them all, the ugly, the beautiful, the cold, the sexy and especially those that are from cinema material, shadow and light.

Film has its own innate poetry.

My all time favourite films - one is 'Mary Poppins,' and the other one is 'Pakeezah.' 'Pakeezah' was an Indian film. The beauty of 'Pakeezah' was that it had a soundtrack which was pure poetry.

I don't have a favorite I like and then I'll go and watch "Days of Heaven" and I go how beautiful is that. So I think, at least my idea, was lets bring something again that's primitive and guttural but then let's also do something beautiful where you're outside and this isn't a typical western setting. It's lush. It's green. It's beautiful.

What I liked about it is in the world of children, there are very, very different rules and a kind of naivete and innocence and sweetness that's been beautifully captured, I think, by this film as you can even see gesturing toward the film's poster on display nearby from this gorgeous artwork.

I don't know that much about who directs what movies, but I'm definitely inspired by the look of old movies; I find them to be really beautiful.

The thing about America - it's different everywhere, but visually, it's amazing to shoot in the desert in the New Mexico light. It's really hard to shoot in that desert and make anything look not amazing.

I loved 'Moonlight.' I thought it was really beautiful. Really great.

Claire Denis's 'Beau Travail' is one of Denis's greatest achievements. One of the most mysterious and beautiful endings in movies.

Morocco: Looks better in films.