Chess Creativity Quotes

I love chess, and I didn't invent Fischerandom chess to destroy chess. I invented Fischerandom chess to keep chess going. Because I consider the old chess is dying, it really is dead. A lot of people have come up with other rules of chess-type games, with 10x8 boards, new pieces, and all kinds of things. I'm really not interested in that. I want to keep the old chess flavor. I want to keep the old chess game. But just making a change so the starting positions are mixed, so it's not degenerated down to memorisation and prearrangement like it is today.

But the thing that was great about Capablanca was that he really spoke his mind, he said what he believed was true, he said what he felt. He [Capablanca] wanted to change the rules [of chess] already, back in the twenties, because he said chess was getting played out. He was right. Now chess is completely dead. It is all just memorisation and prearrangement. It's a terrible game now. Very uncreative.

I am convinced, the way one plays chess always reflects the player's personality. If something defines his character, then it will also define his way of playing.

Throughout my chess career I sought out new challenges, looking for things no one had done before.

For us chess players the language of artist is something natural.

If you talk to some of the older players, they definitely say they see beauty in certain games. In my case, there are certain times when I think, 'Wow, that's so amazing, chess is so full of ideas.' But most of the time I tend to be much more pragmatic about it, as opposed to thinking about it as art or something exquisite.

I believe every chess player senses beauty, when he succeeds in creating situations, which contradict the expectations and the rules, and he succeeds in mastering this situation.

Definitely, some of the artistry and poetry has been lost in modern chess. It's very rare that I play a game where I'm like, 'Wow, this is really interesting. There were so many possibilities! It was such a rich game.'

Chess problems demand from the composer the same virtues that characterize all worthwhile art: originality, invention, conciseness, harmony, complexity, and splendid insincerity