I think the true test of a pop song, for me, and I've talked to a lot of other writers about this, is you take your demo, you pop it in your car and you drive down Sunset Blvd. to Santa Monica, and that's the Hollywood car test.
Not owning a car anymore, I feel like I'm barely an American. I miss it. And I barely ever get to listen to the radio in the car, which is the best place for radio.
This one is for the boys with the boomin system Top down AC with the coolin system
Radio is for driving.
I love the low-rider cars and that whole culture.
I never listen to music in the house, I listen to music in the car.
I went to junkyards, abandoned car lots. I asked supermarkets for the big jugs they put pig guts in, to make cabinets for my bass speakers.
In my case, the listener is often in an automobile driving to work. You can concentrate on the road while still getting an audio message that can be riveting.
I always had to have music in my cars.
I've been in grocery stores, and if they're playing my music, I'll yell, 'Hey! I wrote that!' I've been next to cars and have done that!
There are things about the production I'm not crazy about though. People mix records to be heard in cars and to have the bass incredibly loud so the vocals have to fight with everything so there's no dynamic left, and that's kind of a bummer. That may not be my taste but I'm not going to go, "Kanye's not very good," because he's pretty badass. It's a difference in taste, like the New Pornographers and myself have different taste in production as well but it all works out in the end.
The 'trap' sound is a sound from the city. We've always liked music with bass. We've always liked old schools with big speakers in the trunks. We like our music loud. We've always had a nightlife scene in Atlanta.
