Audition Feedback Quotes

It's only in acting where I've heard in auditions, 'Can you black it up a little bit? Can you make her a little bit more urban?' And it's just like, 'What?' I don't even know the word for that.

Many times during auditions, I was told that I couldn't carry a note with a bucket, and that I sure couldn't play the piano.

I'll audition for something and then the feedback has been, 'The director wants you, the creative people want you, but the studio is saying no.' It's depressing, but I understand. People are investing a lot of money and they want somewhat of a guarantee; they want someone who's been on the cover of magazines.

I went on an audition once for a show, and the feedback was to play an angry teen. My agent convinced me to try out. I was really bitter for a while, because it sucks when you don't get good scripts after working on good quality.

I really loved the story. I originally read for Walt Longmire. He is obviously a very dynamic, strong, manly man that almost any dude would want to play. Once I got in the room and met with everybody, the feedback came back that they loved me, but that I didn't have the age. And then, they brought up the idea of Branch, who wasn't that interesting on the page in the pilot, but once they explained the vision, I really bought into it.

I've been doing American auditions for a while, and it always felt sort of like sending these audition tapes off into the ether. So just hearing anything back from anyone was kind of startling.

The auditioning process is one in which the actor gets very little information about almost every element of it.

My wife asks me, when I get home from auditions, if they asked how tall I am. And if I say "Yes," then she says, "Okay, you didn't get that job."

We did monologues and scenes, and New York I did a scene from Amadeus and a monologue from Pounding Nails in the Floor With My Forehead by Eric Bogosian, and then in L.A. I switched the scene to This is Our Youth and did the same monologue. I was spiky-haired, super skinny. A lot of people were like, "You should come here and do a sitcom." That was the feedback that I got. Obviously it was quite a different journey than the one I've actually had, but I just listened to people.

I know what it's like to audition, so it's important that everybody who auditions, even if I know right off they're not right for it, has a good experience. So I'll never just have someone do one pass at it and say "Thank you".

I've had so many bad auditions! I tell people all the time, there's differences, what makes an audition good or what makes an audition bad. Sometimes you're just off, and there's not a whole lot you can do about it.

I'm so used to taping myself and sending it off and never hearing back. I started to believe that nobody actually ever sees my tapes, apart from my agent.

Having done television, I was used to either being aware whether I got the part within the same day, or within two, three days max.