Audience Influence Quotes

To some degree, as I move outside of the exclusive genre audience, the exclusive genre issues don't bother me as much. Maybe that's just speculation.

I'm responsible for what people see and what they hear.

I feel that my fans have cultivated my talent and they continue to nurture me.

We've given people both in print and even more so on TV these enormous doses of Donald Trump because people are consuming enormous doses of Donald Trump. If we had gotten a signal that John Kasich got as big an audience, believe me, you would have seen a lot more of John Kasich so it's complicated who's to blame, the media or the people consuming the media.

There is nothing in the world like a persuasive speech to fuddle the mental apparatus and upset the convictions and debauch the emotions of an audience not practiced in the tricks and delusions of oratory

You're not a slave to those test audiences.

Without the fans, there is no Samoan Dynasty, there is no Triple H, there is none of us. So the fans are entitled to their opinion.

Here's the funny thing: Nothing drives a performance like an audience that gives back and even takes over. ECW was a product that will be remembered as much, if not more, for its audience interaction as for the things that happened in the ring.

You can only be as good as your audience. Sometimes you can be as bad as your audience, but you have to remember you can never be better than them.

I feel pressure as a fan. I don't really feel pressure from the fans, if that makes sense. I worked on other movies, like the X-Men movies, that have big fan followings. And if you start to get lost in those voices, you will be completely lost. I feel the pressure of the 6-year-old me.

When I'm in the studio, I like to be in there by myself because if I'm in the mike room, and I look out and see people talking, or they're not nodding their head or rocking to the music, it makes me feel like it don't sound good, or I'll be scared to really open up vocally because I might mess up, and they might be in there laughing.

It's hard not to be affected by the live audience.

It's hard to be in the limelight and write songs that cater to fans that have expectations of you. We just want to write songs that we love, but all the different people with different ideas coming in make it difficult. We have to ask ourselves if we're writing for the most important people: the fans.

I once said to a boy, ‘You’re a really good kisser,’ and he said, ‘You’re only as good as the person you’re kissing.' I think it’s the same with the music. If someone [says], ‘Your music is really provocative,’ I’m only as provocative as the person that’s listening to it.

The audience has always been my best director.

I like the saying: "The world is as you are." And I think films are as you are. That's why, although the frames of a film are always the same - the same number, in the same sequence, with the same sounds - every screening is different. The difference is sometimes subtle but it's there. It depends on the audience. There is a circle that goes from the audience to the film and back. Each person is looking and thinking and feeling and coming up with his or her own sense of things. And it's probably different from what I fell in love with.

Society takes what it wants. The artist himself does not count, because there is no actual existence for the work of art. The work of art is always based on the two poles of the onlooker and the maker, and the spark that comes from the bipolar action gives birth to something - like electricity. But the onlooker has the last word, and it is always posterity that makes the masterpiece. The artist should not concern himself with this, because it has nothing to do with him.

If I had to say who is the number-one most powerful figure is in reality TV, it's very easy. It is the general public. They're the only people who have power now.

For all the import and message of 'The Iliad,' it's ultimately a story that's meant to be heard, and the person hearing 'The Iliad' determines what it means.

I get a kick out of the fact that people will pick on the writers in California for being responsible for the content. The people seriously responsible for the content are the people who buy it.

There's been someone up here screaming 'Landslide' for the whole show... Normally we don't play 'Landslide,' but on occasion we've been known to play it... So since this person's been screaming it all show long... That just about kills the chances of me playing it tonight, or ever again.

The exercise in theater is night after night you are doing the same play, but you have another opportunity to explore. It changes nightly even because of the audience and your day going into the evening of the performance. With film it's much more controlled.

The thing about science-fiction fans and "Star Wars" fans is they're very independent-thinking people. They all think outside the box, but they all have very strong ideas about what should happen, and they think it should be their way. Which is fine, except I'm making the movies, so I should have it my way.

The fans are the biggest reason we do what we do.

Undeniably, the audience for improvisation, good or bad, active or passive, sympathetic or hostile, has a power that no other audience has. It can affect the creation of that which is being witnessed. And perhaps because of that possibility the audience for improvisation has a degree of intimacy with the music that is not achieved in any other situation.