Audience Impact Quotes

I'm responsible for what people see and what they hear.

I'm not precious about anything. The effort it took to get something means nothing to me in post.And it means nothing to the audience. I'll chop limbs off. I'll put an arm where a leg should be. I'll do anything.

It sometimes becomes difficult to tell when you're even creating a buzz. You know, everything in this game, it so relies on timing that that part is really important, and it's something that everyone tries to pay a lot of attention to.

When we go out there, I want to be the act that, no matter who's in that crowd, they've never seen a better act than me. I'm gonna empty the tank.

Here's the funny thing: Nothing drives a performance like an audience that gives back and even takes over. ECW was a product that will be remembered as much, if not more, for its audience interaction as for the things that happened in the ring.

Record sales don't really mean anything. For us, the pressure is imagining some 15-year-old kid in Cincinnati who buys our album and doesn't feel like he wasted his pocket money.

You can only be as good as your audience. Sometimes you can be as bad as your audience, but you have to remember you can never be better than them.

I do a film because I would love to be a part of it, but I also think from the audience's perspective. Our profession survives because of our audience.

Unfortunately, I think I'm going to be typecast in Hollywood as the kid who can cry. I don't like putting audiences through those emotional ups and downs. I don't want people to think Dana Hill is so depressing all she does is cry. But the parts are so good, I can't turn them down.

I'm obsessed with audiences and obsessed with the journey that an audience goes on.

If we must have the Production Code, then I think the only way to use it effectively is to judge a film as a whole and determine whether its effect is good or bad.

There [are] times when I put out an album, and I don't hear my songs really on the radio a lot, and it's like, Dang, I ain't inside that world. But I'm still moving some people or touching some people.

I really focus on giving the viewers compelling television, and hope that more and more people watch.

I realized that I started writing songs to make people feel how I felt, rather than just making them feel something. That's not the way I should do things.

It's hard not to be affected by the live audience.

For I must not measure the speech of a statesman to his people by the impression which it leaves in a university professor, but by the effect it exerts on the people. And this alone gives the standard for the speaker's genius.

It's nice to know that if you've worked really hard at something, it gets recognised with a tick in the success column - however you define that, be it making a bunch of dough, which the actors never see much of, or whether it's a piece that's enlightening or stays with the audience maybe six, seven or even eight or 10 years later.

I love the fact that I can go out there on stage with a guitar and sing a song that means something to somebody.

We give you this story. It is for the audience to be moved and gut wrenched, not us. It isn't as if we don't go through those real feeling and it isn't as if I don't cry three or four times a night. I usually do.

In a sense, the story, or poem or verse or whatever it is you're writing, you can kind of think of it as a kind of projectile. Imagine it is a kind of projectile which has been specially shaped to be aerodynamic, and that your target is the soft grey putty of the reader's brain.

I think the idea of being on stage and playing for people, and being able to inject a little bit of joy into their lives is a really exciting concept for me. That's definitely why I make music. It's never been for any kind of materialistic reasons, so that thought of being able to be up on stage, and being able to give something to someone in a moment of need for them - that gets me up in the morning; that really excites me.

I've learned that, as an actor, I have a responsibility to my audience.

If you're doing a musical, you should be out to give the audience something special, emotional, an uplifting feeling, something that stays with them. And you're not going to do that by bumming them out.

I don't make films for myself; I make them in order to communicate with an audience.

It's so easy, as a writer, to get stuck in your own head, to live in the little worlds you create. To forget that there are people out there reading your work, people who may be deeply affected by what you do, that you are writing not just for yourself, but for them.