I don't think there's any independent cartoonist whose stuff I don't like or respect in at least some way or another. We're all marginal laborers - we're practically medical oddities - so I don't see why we can't all be nice to each other.
Artists, like the Greek gods, are only revealed to one another.
Painters strike me as having warm uncomplicated friendships and probably more natural generosity than the practitioners of any other art. Perhaps this is because painting is such a portable, flexible thing.
Women's art, though created in solitude, wells up out of community. There is, clearly, both enormous hunger for the work thus being diffused, and an explosion of creative energy, bursting through the coercive choicelessness of the system on whose boundaries we are working.
I think it's important for artists to work together. It's great for fans to see, like, Ludacris came out to our show in Atlanta and kinda made a surprise appearance there, it shows a mutual respect for what each other does.
It's very difficult for me to dislike an artist. No matter what he's creating, the fact that he's experiencing the joy of creation makes me feel like we're in a brotherhood of some kind... we're in it together.
The best picture makes us say, I am a painter also.
I fight for the debunking of the artist and an end to individual pictures.
I think the press mistakenly thought that all of these 'mumblecore' filmmakers were banded together in a similar ideology, but the truth is that we were all just using the same digital camera and helping each other make our movies because we were broke, and we were the only idiots willing to do it.
I think everyone's a little afraid of being part of a trend, because you get compared to each other. Writers tend to have a lot of camaraderie, and when you're constantly compared to someone else, it kind of damages that camaraderie, but I think this is a great trend. I'm honored to be a part of it in many ways.
There is an extraordinary degree of amity among Washington poets. They hang together. You would be hard pressed to find that in Manhattan.
Yes, you can feel very alone as a poet and you sometimes think, is it worth it? Is it worth carrying on? But because there were other poets, you became part of a scene. Even though they were very different writers, it made it easier because you were together.
I live in a country where music has very little success, though, exclusive of those who have forsaken us, we have still admirable professors and, more particularly, composers of great solidity, knowledge, and taste.
So writing is not just writing. It is also having a relationship with other writers. And don't be jealous, especially secretly. That's the worst kind. If someone writes something great, it's just more clarity in the world for all of us.
A lot of artists have really been supportive over the years.
Musicians understand each other through means other that speaking.
In place of an intensive cooperation among artists, there is a battle for goods. Hatred, partisanship, cliques, jealousy, and intrigues are the natural consequences of an aimless, materialist art.
I just am fascinated by other female artists, probably because I feel a kinship with them, no matter who they are and what they do.
