Artistic Reputation Quotes

Definitely, it's hard being a young artist and being taken seriously.

Now I have a business, artists to take care of. I want to make sure everything's going right, because at the end of the day, it's my name.

We take from the art of the past what we need. The variable posthumous reputations of even the greatest artists and the unpredictable revivals of interest in even the most obscure ones tend to reveal more about those who make revisionist assessments than about those who are being reassessed.

I had so much out there, the world was going crazy about 'Comes Alive!' I didn't need to go and rush into something else. You're only as good as your last record, so don't put one out for a while.

I have not written in vain if I have heretofore done anything towards diminishing the reputation of the Renaissance landscape painting.

People sort of know me for that solo piano music I did.

Some artists leave remarkable things which, a 100 years later, don't work at all. I have left my mark; my work is hung in museums, but maybe one day the Tate Gallery or the other museums will banish me to the cellar... you never know.

Jeffrey Deitch is the Jeff Koons of art dealers. Not because he's the biggest, best, or the richest of his kind. But because in some ways he's the weirdest (which is saying a lot when you're talking about the wonderful, wicked, lovable, and annoying creatures known as art dealers).

I am an enthusiast on the subject of the arts…. its object is to improve the taste of my countrymen, to increase their reputation, to reconcile to them the respect of the world, and procure them its praise.

I would love for people to look at me as a great singer but also know exactly who I am, the way that we have loved and respected people like Gladys Knight and Patti LaBelle, having gone through the different stages of their lives with them. That's the type of history I want to have.

Jadakiss is not no walk in no park. Nas is not no walk in no park. These are dudes that could have ended my career.

I secured Big Jam through my buzz in the city. My name got bigger and bigger throughout my 1st year of rapping.

Never forget that at the end of the day, as a creative person, your résumé is all you've got.

I do think of my films as morality plays, even though my reputation is, you know, splatter films and like that. But I think of them as very moral.

Pollock was well known, certainly, but for all the wrong reasons. He was known as much for being wild and unconventional in his working methods as for being a great artist.

It took time to really build myself a reputation as a good live performer, a musician and an artist.

Lots of ambitious work by young artists ends up in a dumpster after its warehouse debut. So an unknown artist's big glass vitrine holding a rotting cow's head covered by maggots and swarms of buzzing flies may be pretty unsellable. Until the artist becomes a star. Then he can sell anything he touches .

In general, in painting sometimes people like Picasso or somebody are not very well known in the beginning, sometimes they become well known just before they die, or sometimes after they have died. I think these people start to be artists after they've stopped existing.

All the critics who could not make their reputations by discovering you are hoping to make them by predicting hopefully your approaching impotence, failure and general drying up of natural juices. Not a one will wish you luck or hope that you will keep on writing unless you have political affiliations in which case these will rally around and speak of you and Homer, Balzac, Zola and Link Steffens.

I came in as an established artist. People were hiring me for what I did and for who I was. I think that has given me a vast amount of leeway; I feel so lucky that I came in that way.

I am really the most controversial artist in the world.

How can people think that artists seek a name? A name, like a face, is something you have when you're not alone. There is no such thing as an artist: there is only the world, lit or unlit as the light allows.

It is in fact agreed that I am the plague, the cholera of the benevolent and generous men who are interested in art and that, when I show myself with my plasters, even the Emperor of the Sahara would flee.

It's never gone so far as me wishing I'd never done 'Quadrophenia,' but there was a time when I wouldn't talk about it because I wanted people to be interested in me for other things as well.

Mase was never a filthy artist.