Artisanal Production Quotes

Everything is sold to skill and labor; and where nature furnishes the materials, they are still rude and unfinished, till industry, ever active and intelligent, refines them from their brute state, and fits them for human use and convenience.

Babies are not brought by storks and poets are not produced by workshops.

Handloom is a legacy, a craft which involves close to four million weavers in the country. They have to decide how they would like to position their wares in the domestic and global markets. We in the government will support their vision to the best of our abilities.

My chocolate is special because it's real. My pistachios are from Italy, and the almonds are from Spain. We make our own marzipan. If I sell a product that says 'raspberry,' it's real raspberry. My plan was to make the best product possible and be the least expensive of the best chocolate makers. That's still our position.

I don't believe in selling art by transparencies. Art is a firsthand experience.

I still see myself as a bit of a cottage industry. Being in a room creating stuff and seeing if anyone wants it, as opposed to going to work for someone.

Khaddar does not displace a single cottage industry.

150 years ago in [Charles] Dickens's time there was at least a sense of craft. So some of the things people had inside of them, they had the possibility of expressing in the making of things - even in a daily way with their clothes or their food. People made a good deal of both themselves. Now our daily lives are almost all consumption. Craft plays a tiny role.

I'm a control freak, and anytime I direct something, I try to make it as homemade and handmade as possible. I feel like that's my favorite type of filmmaking, where you can see the seams, and it doesn't feel like a swiftly produced, whole seeky-eyed event.

Etsy radically simplified and amended their policies. Sellers of handmade goods can now hire as much help as they need to run their shops. They can apply to sell designs they produce with the help of outside businesses.

I made two rings for myself and when I was in Los Angeles, I walked into a store called Maxfields and they essentially bought them off my hands. Those were originally made in New York. There wasn't craftsmanship, there was just manufacturing, and I wasn't interested in doing that. My first workshop was in Rome, and that was the start of House of Waris. In a little magical atelier, a goldsmith, his apprentice, his stone setter - and that was where it began.

Visiting my mind is like visiting the Hermès factory. Sh*t is real.

The world of design has been subjugated by the rigors of manufacturing and mass production.

Mass production is nothing new. Weren't cathedrals built through mass production? The pyramids?... Paintings can be painted with the left hand, the right hand, someone else's hand, or many people's hands. The scale of production is irrelevant to its content.

The industrial age is over. What follows will be life lived on a much smaller and finer scale.

In the days when the spinning wheels hummed busily in the farmhouses--and even great ladies, clothed in silk and thread lace, had their toy spinning wheels of polished oak--there might be seen, in districts far away among the lanes, or deep in the bosom of the hills, certain palled undersized men who, by the side of the brawny country-folk, looked like the remnants of a disinherited race.

Agriculture is the foundation of manufactures; since the productions of nature are the materials of art. Under the Roman empire, the labour of an industrious and ingenious people was variously, but incessantly employed, in the service of the rich. In their dress, their table, their houses, and their furniture, the favourites of fortune united every refinement of conveniency, of elegance, and of splendour, whatever could soothe their pride or gratify their sensuality.

I come from a family with a long tradition in shoemaking, and I still live in a region famous for its shoemakers. It is getting harder and harder to find skilled workers. There are no professional training institutes, so we have to train our own employees. And an apprenticeship takes three years.

In the future, I'd like to make jewelry and sell it under my own name. But right now, I've got enough on my plate!

We make our own whiskey and our own smoke, too. Ain't too many things these ole boys can't do.

We lost our way a long time ago with technology. Just because something is an advancement by going digital - that was a huge (expletive) mistake. It was a way for people to make money, but it sure didn't improve sound or quality of record making. It made it faster, cheaper, but it isn't as durable.

I think most micro-brewers/craft-brewers are similar in that they enjoy making something themselves and at the end of the day they can enjoy the fruit of their labor. Most people really enjoy the process of making beer and like the industry as a whole. We often are passionate about what we do and enjoy talking to people about the art and science of making beer.

A-POC respects that there is a fine balance between the value of the human touch, which can be called artisanal, and the abilities of technology. I like to think of it as poesy and technology.

I don't just use yarn from a store. I buy old sweaters from consignment shops. The older the better, and unravel them. There are countries of women in this scarf/shawl/blanket. Soon it will be big enough to keep me warm.

Design and the urgency to preserve it - not as a museum relic, as a living experience. And for me, something that lives alongside mass-produced goods. I'm not saying get away from it. My battle is there is a marketplace for what people wear and what they eat and care about how things are made and not just that they were made, and that's the core focus. I know where things come from, I know their families. I do that throughout my life - I know who makes my suits, and I know where my eggs come from. Everyone and everything is accounted for and has accountability.