Alternative Narratives Quotes

The media ignores what is really going on.

We have a responsibility to show the public the kinds of truths that they don't see on the TV news or the Hollywood film.

Don't buy into the corporate mythology that's been rammed down our throats for all these years.

There are two histories : official history, lying, and then secret history, where you find the real causes of events.

I created hoaxes. I confronted and challenged the majority opinion. I attacked, humiliated, and criticized the voice of the corporate mainstream media.

It fills me with dismay sometimes when you look at the scripts that do come to you that are primarily focused on violence. There are so many other things to play around with.

I think most of the time with independent films, you don't know where it's gonna end up. I've done a number of films that may never see the light of day, so it ends up being exclusively about the content, material, the characters and the story. Things that you maybe wouldn't get an opportunity to do otherwise. So, as an actor, obviously it's so different.

All discourses but my own afflict me; they seem harsh, impertinent, and irksome

Neoliberalism eats its own children. Disposability is central to how neoliberalism functions. I would not like to romanticize that, though, by suggesting that it creates dreamers. I would like to suggest that the radical imagination is so powerful, when employed collectively, that people will attempt to find solutions in ways that challenge the very conditions that made them disposable. That's where this sort of thing becomes interesting. We need to be careful about the dreaming quality here.

It's no accident that there is a nexus between Trump, Roger Stone and Infowars and Alex Jones. It's very much an Infowars presidency in many ways. The President is a conspiracy theorist. He has reliably touted conspiracy theories. It's a core part of how he processes the world epistemically. That is deeply, deeply dangerous, and disturbing.

Human history has become too much a matter of dogma taught by 'professionals' in ivory towers as though it's all fact. Actually, much of human history is up for grabs. The further back you go, the more that the history that's taught in the schools and universities begins to look like some kind of faerie story.

History is a certain way, but you just change the point of view a little bit, and you discover a whole new side of it.

Entertainment is about telling everybody that everything is alright but music is on the side of the upsetters and that's where I'm at.

We have stood up and said continuing growth in the Western world is unjust, inappropriate and potentially destabilising. Having said that, we understand why governments do it, so there is an onus on us to show there are other stories and to identify the institutional innovations you might need in order to arrive at this other place.

If I have children, I am never going to read them stories about finding Prince Charming because they will grow up feeling disappointed.

I believe, in a funny way, the job of the novelist is to be out there on the fringes and speaking for an experience that has not really been spoken for.

I tend to write about people on the edge who are pushing things out from the edge but who are not necessarily big-ticket items.

In my couple of books, including Going Clear, the book about Scientology, I thought it seemed appropriate at the end of the book to help the reader frame things. Because we've gone through the history, and there's likely conflictual feelings in the reader's mind. The reader may not agree with me, but I don't try to influence the reader's judgment. I know everybody who picks this book up already has a decided opinion. But my goal is to open the reader's mind a little bit to alternative narratives.

The newspaper stories were like dreams to us, bad dreams dreamt by others. How awful, we would say, and they were, but they were awful without being believable. They were too melodramatic, they had a dimension that was not the dimension of our lives. We were the people who were not in the papers. We lived in the blank white spaces at the edges of print. It gave us more freedom. We lived in the gaps between the stories.

There has to be a place carved out for independents, films where the heroes don't fly around in capes, but there are journeys and struggles we need to learn from and be inspired by.

I find Hollywood gives these pat stories, and they're reassuring stories, and I don't really want to give people that. Hollywood does all that work. I'm offering, sometimes, an alternative to that. The answers aren't black-and-white. There may not even be answers in certain instances. The ground is not necessarily solid, either. So you've got to keep awake the whole time, even after the movie is over.

Hollywood so often likes to make movies that are just about itself. I felt there were a lot of stories that were yet to be told in the middle of the country, and I wanted to capture some of that beauty.

Our strategy should be not only to confront empire, but to lay siege to it. To deprive it of oxygen. To shame it. To mock it. With our art, our music, our literature, our stubbornness, our joy, our brilliance, our sheer relentlessness — and our ability to tell our own stories. Stories that are different from the ones we’re being brainwashed to believe. The corporate revolution will collapse if we refuse to buy what they are selling — their ideas, their version of history, their wars, their weapons, their notion of inevitability.

The corporate revolution will collapse if we refuse to buy what they are selling - their ideas, their version of history, their wars, their weapons, their notion of inevitability. Remember this: We be many and they be few. They need us more than we need them.

None of the ways people were talking about September 11 felt right to me. I don't buy into the way George W. Bush talks about it. I don't buy into the way the 9/11 commission talks about it. It isn't that I don't believe them. It's just that they're not the tellings for me.