Alternative Distribution Quotes

I think when you make something that is non-mainstream and people don't have automatic way of consuming, like you don't have a big star, or a hit song or marketing money then you need to find some way to make audience aware of your film.

When you go to cable, there are no stations and no affiliates and they allow you to do your show.

There's very little money and very little freedom in doing it [webshows] for a major corporation. Doing things independantly is and always will be better I think, due to the recalcitrance of stubborn network hands.

Alternative spaces, independent media, satellite, these all provide some tools by which we can work more independently and deal more directly with communities we hope to reach. Distribution is key, and finding alternative ways to do that with new media is critical.

Blackheart Records being 25 years old represents staying power and the fact that we weren't able to get a record out through conventional means, so we had to create this record company to put out our records if we wanted to be a band that had records to give out to their fans.

Movies like 'Chef' are not really box-office monsters in the summertime and don't really fit into Hollywood's business model any longer. Even if 'Chef' is successful, it will be successful in the context of what it is. There's a limited upside to a film that's so small, but there's also limited exposure for the people who backed me.

The box office in an arthouse film is always going to be small. We have to face this and overcome this.

I would tell filmmakers: 'Don't just be seduced by the same old, same old. There are interesting things you can explore that may get your film out there to audiences better than the traditional distribution mechanisms.'

In 1962, we created the Filmmakers' Co-Op because nobody wanted to distribute our films. If we had the Internet in those days, we wouldn't have needed the Co-Op.

Lots of TV is kind of becoming almost the new form for adult storytelling and cinema, but still with some independent films you still have those kind of jewels that people are able to make and it takes a lot of effort.

You've got major artists releasing albums on their own and eschewing the major system. I think that breeds excitement and creativity.

Hopefully, you'll be able to find enough of an audience, each time, that you can keep working, rather than getting caught up in the Hollywood system, which can so quickly become about how much money something makes and how many people went to watch it. It's very alluring. It's such a powerful machine that's playing on you, the whole time.

I think the thing you're seeing now with the music industry is that the people who have tight-knit communities are now able to really hold each other up because of the internet tools. And the really top-down pyramid scheme of major labels and typical superstars isn't sustainable anymore because the system has collapsed.

I want to go create my own independent content and entertainment, in new models and in new ways, and essentially show studios and networks that people are good.

The real important thing about Digital-Original publication goes beyond the fact that authors make more money off each sale than through traditional publishing. It's that we get to bypass a system of gatekeepers who have more than 'quality' as criteria for what they choose.

We had sold a lot of copies of the 'Miami' album without being racked by some of the big distributors.