I don't mind having 16-year-old fans, but I hate just having 16-year-old fans. I want more diversity.
I'm not making music for old people or young people.
My audience has lots of people between 20 and 35, but there are always a few 60-year-olds, and it makes me happier than if everyone was 22.
To the best of my knowledge, my youngest reader is 10 and the oldest is 95.
I'm not in the teenybopper bracket, and I'm not in the 30-plus bracket. The fan response has been really widespread, age-wise.
Of course it's true: the public want to see young people - young people are the people who go to the cinema. It's a sad fact of life, but you've got to accept it and not whine about it.
I've met fans that are 9 months old to 90 years old.
My audiences get younger all the time.
I have an audience that goes from kids to seventy year olds.
We had every kind of audience you could name. Young, old, not-so-old, some older than old, some younger than young: they were there, they were there! There was everything.
Our shows have always been sort of an all-generations thing, people from 6 to 60.
Stages of life are artifacts. Adolescence is a useful contrivance, midlife is a moving target, senior citizens are an interest group, and tweenhood is just plain made up.
