I'm such a diva on set.
I'm such a theater geek. Most of my friends are in this community, and it's really important for me to keep doing it. It takes the ego out of acting, whereas movies tend to involve it.
When actors talk about research, they're just patting themselves on the back.
I think some of the best movie stars in the world are guys who stay in their lane. You can lose an audience if you start saying, "Now I really want to do something that is just for me, but on a massive scale." That's a dangerous mix.
Part of you wants to look over at the people watching and say, "Not bad, huh? Me and Clint Eastwood." But you have to get past that and just be an actor.
I try to keep away from being big-headed. That's what causes people to lose the acting thing. They start being commercial, and then they stink for the rest of their lives.
Every actor is like, 'I could direct!'
I've worked with actors who tell everyone what to do in the scene - that makes me go pretty atomic.
The last thing a director needs is an actress who feels an ownership towards a particular character.
There's a certain arrogance to an actor who will look at a script and feel like, because the words are simple, maybe they can paraphrase it and make it better.
I love when I get to play these characters that are bigger than life. There are roles in animation that I never get to do in real life - and it appeals to my ego as an actor to play the Queen of Everything. I admit it.
My first two or three films, all I was trying to do was look cool. That's all I knew acting was.
As a young actor, there's a lot of hubris. You come in with guns blazing, all kinds of ideas as to how you want to play a role, and you endeavour to convince people of your interpretation or your point of view.
I've worked in this business long enough that I know people who complain, like, 'My character does this, and my character does that,' and I think it's just ego talking.
