70s Cinema Quotes

I became addicted to the movie-going experience in the 1970s, when I attended multiple screenings of films such as 'Chinatown', 'Jaws', 'Star Wars' and the original 'Rocky'.

I really liked Carrie a lot. That was one of Brian De Palma's best movies.

If you take the '70s with Blaxploitation pictures, there was a proliferation of black-content films and motion pictures, television, stage plays and so forth at a time when Hollywood was in trouble financially, and it was cheaper to do black films to keep the lights on until they could reestablish themselves.

Like, I'm a big fan of films from the '70s, like Cassavetes and things, where they just keep the dialogue really loose and just kind of roll, you know what I mean?

I do like a lot of the '70s movies. I love Charles Bronson in 'Hard Times.' All my favorite movies where ones from yesteryear. The '70s was a good era. I love all those.

There would be no 'Sholay' without Dharmendra, no 'Amar Akbar Anthony' without Vinod Khanna and Rishi Kapoor, no 'Deewar' without Shashi Kapoor, and no 'Dostana' without Shatrughan Sinha.

When I was a TV director working on Judd Apatow's show Undeclared. I was surrounded by so many young people. People like Seth Rogen, who was 9 years old or something. It was just a ridiculous amount of talented young people. I started to think I'd like to see a young-love movie, but not one done in that glossy, Hollywood, high-concept manner we've become accustomed to. One that was, for lack of a better way of putting it, a little more ambiguous, '70s-style, where everyone was flawed, middle-class characters.

Back in the '70s, like one of my favorite movies ever was 'The Bad News Bears', and that was a kids' movie, but I don't think of it that way. I think of it as just a great movie because Walter Matthau was so funny and so harsh with those kids.

In the '70s, with movies like 'Little Big Man,' westerns began to have a little different flavor, and I think casting people and filmmakers began to realize, 'Hey, maybe we can get a little more authentic in terms of who we cast here.' That kind of opened up the gates.

Experimental film by the '70s had become much more mainstream after 'Bonnie and Clyde' and stuff in the late '60s, when you were seeing bigger movies where people were exploring the medium a lot more.

Oh gosh, well, you know, growing up in the '70s being a young boy there, you know, there were still exploitation movies, where, you know, were, you know, still opened up every week and, you know, played - sometimes they would play it at the local, you know, mall theater.

For me, the stamp that I impose on stuff comes from the fact that in the '80s, when I was starting to write movies, I looked back to the '70s. So the films I enjoyed as a kid were the thrillers that came out of the '70s. Back then, you didn't have action movies; you had adventure films or thrillers.

I came up around people who took acting seriously, who cared about acting, cared about the theater and, in the '70s, made movies that said something that mattered. I came up with those people, and I was a kid. Their ethos and credo became mine.

Akira Kurosawa, David Lean and Alfred Hitchcock were the main inspirations for 'Samurai Jack,' along with a lot of '70s cinema.

But my favorite period for actors is the 70s. I think so many great movies were made in the 70s. The 90s just seem to be a confused decade. Nobody knows, really, what's going on.

I love the way the long scenes feel - one of the characteristics of '70s filmmaking is that you don't cut around a lot; you let things play out. I did that on 'Samurai Jack,' and it carried over into 'Clone Wars.'

For my money, the movies of the '70s were just amazing.