Brendan Gleeson Quotes

I generally won't do a role unless I feel like it's in my system somewhere, even if it's just a molecule of it. Like I just felt like I knew it and if I talked about it or discussed it or tried to rehearse it that it would take away the energy from that scene so I went in there and just did it.

As an actor, that's the most important thing. You want to be able to let go and not hold onto anything, so that you can give an honest portrayal and performance.

If no one on the movie has met me before or knows me, that's the easiest. I don't do a lot of things that don't relate to being the person. I will try to keep it going for my other actors. I want them to do the least amount of pretending as possible.

Actors are pretending for you, but they're not lying. They are not putting on a guise instead of themselves. They are finding things inside that they have experienced.

I know, because I tried all sorts of ways of being in character, and the best way is to be totally straight.

You know the way there are two kinds of actors - the De Niro kind who's always De Niro, and then somebody like Daniel Day-Lewis, who transforms himself eerily? Well, I aim to be the Daniel Day-Lewis kind of writer. I don't have a house style.

I'm really excited to act again because when I started out, there was an innocent sort of perception of the world that was coming though me, and I think now through a lot of experience and life and understanding, I've come full circle to having a purer response to things. So my craft will be really interesting to work from this place because I think acting is about being in tune with yourself - or maybe the struggle to be in tune with yourself.

You should always challenge yourself, as an actor, to find the connection between you and the character.

I feel that in order to truly be an actor, you have to differentiate yourself and your roles, and you have to constantly challenge yourself. I'm not interested in just doing glitzy movie after glitzy movie and being on the cover of Us Weekly every day.

I think what I find challenging is just trying to bring a truthfulness and a realism to a character.

As an actor, you hope to obtain this mind meld and sometimes I feel like I'm chasing a horse holding on to its tail and getting dragged, and other times I feel much more velcroed into the saddle. And I'm not the knower of which is better or best as a process, it's just as random as the weather in terms of what my subjective experience is.

How you prepare for a role is entirely your business in my point of view. There is little enough mystery anymore left in the world in the part of our profession, which should be clouded in mystery because it isn't in the public. You don't want the magician to show his tricks or how he did them do you? So I do think that is a very private thing that we actors should protect ourselves from.

I never studied acting, yet the first time I auditioned and did a cold reading, I surprised everyone for my honesty and limpidity. They told me I could play any role because I have no walls, I don’t put anything between me and the character I have to play.

I used to need the character but as I've gotten older I need it less and less - I prefer to play some version of myself. To approach any acting job as me just being me.

A great deal of my battle, as an actor, is to widdle away the things that make me self-conscious and try to trick myself into not being self-conscious.

I really love to act. I really love to touch the people with my work. It's about giving people what they want to see. I love to see someone who's gonna be real, be truthful to his work and that's what I try to bring every time I step on a set. That's what I did for Tupac movie.

My fun as an actor and my task as an actor is to transform myself to become other people. I enjoy becoming characters but I don't enjoy becoming caricatures. The research I do is only necessary in so far as we move into other dimensions.

When I was a younger actor, I was very immersed in it, very "method" and all that. Now, I don't give a hoot.

I'm not a method actor. I can't even explain so much what I do.

With any mannerisms or dialogue, you have to be careful you're not just serving yourself. What happens with improving is a lot of times, if you're not in the framework of the script, you're just making everything easier so it fits you. It's much more interesting and challenging to go to it, rather than it coming to you.

Different scenes call for different acting styles. The kinds of scenes I like most are the ones where you just bury yourself in there. So I wouldn't say that's the only way to be funny, but that's my favorite way to play stuff, to try to put myself in a situation where that kind of acting is necessary.

I don't know when I'm writing dark. I don't know when I'm writing funny or even heartbreaking. I'm always just trying to write it true.

When I work, I really try to get absorbed in the character. Unless I want to do something playful with the camera, I'm not too worried about where the camera is or positions.

Acting is hard work. At times, it's very energizing and enervating. It's childish. It's also responsible. It's illuminating, enriching, joyful, drab. It's bizarre, diabolical. It's exciting.

As an actor, there was that freedom of not having to worry about lights or marks or other people. It was just going out there and having fun with the character.