Rob Zombie Quotes

Every project is different. When I'm working on my albums, I've worked with different producers and they've all had different personalities. The recording studio sets the vibe, and that changes as well.

By the end of it, you never know how it's going to turn out. Hopefully if I pick the right songs and put the right melodies on it and all the collaboration works out. it's a win-win situation.

You can never really know what a record's going to be.

It's a weird thing when you make records. You try to hear it before you make it, so you walk into the studio with this idea of what you expect to happen, and that usually changes. That usually turns into something else, and that's a good thing.

When we started there was this element of these experiments we were doing where we weren't really sure how the music would play out because the music was all on different players.

You write a hit the same way you write a flop.

I love getting into a studio with a bunch of friends. When the day's done, we've made something. We recognize that we're from different walks of the music industry, and there's no reason we shouldn't be collaborating. That's what I'm trying to create with thenewno2 - a sense of community.

The record Clef and I did was just sitting there. So I said, Clef, I got a record, hit a verse on it. He just went in, messed around and ended up doing the hook too.

I'm always gonna be all over my CD the most, of course. My talent is my talent. I ain't really tripping off no ego; I just like to make good music with good people.

My earliest professional musical experiences were really as a session player, and every day was an adventure. Three sessions a day, every day, and you never knew who you would be working with until you arrived at the studio.

The first record we put out on Fueled by Ramon, 'The Papercut Chronicles,' we had no idea what the term 'producer' meant. It was just us writing songs, and we are trying to go back to that - singing in a room and vibing off each other.

I've done a lot of albums and I kinda know when I'm onto something that was inspirational for me to record and create, and this was one of those projects where I really enjoyed making the album.

I don't know if a song is going to be a hit or it's going to flop. I never know. I just do the music and if people like it, they like it.

Every time I do an album, I say, 'That's the last one.'

My whole goal is to make good records and keep myself inspired and able to accomplish what I need to accomplish.

A whole album to one writer - now that would be really interesting.

I really like the thing I did with Martina McBride. I had that song sitting around for a long time.

The studio is really fun because I don't make it into the studio unless I've got something I really like. I love working with different musicians in the studio; that's a real joy, working with someone for the first time.

As a producer, you're pretty much creating a body of work that an artist has to stand behind.

All I have to do to continue to make things work is make great records, and that's more important than having a crazy master plan.

I could make records at home in a vacuum, but that is not the situation. I'm just taking it one phase at a time.

Absolutely, I never stop working on new music.

When you're making a record - and I've never said this to anybody, but it's true - when you're making a record, and you go, 'Man, this might win a Grammy!' you feel that level of confidence when you're making a record.

To me, being in the studio is one of the most exciting parts about being an artist.

I've learned a lot from Dave Stewart; he's a serial collaborator. He's co-written songs with more people than anybody I know - like the most incredible people too.