Brandon Sanderson Quotes

The first draft of anything is sh*t.

Every published writer suffers through that first draft because most of the time, that's a disappointment.

It depends on the book and what else is going on during my life, but it usually takes me about six months to write and revise the first draft.

I see myself as a first-draft writer, so when I sit down to write something, the first draft is usually pretty close to the end draft.

Every first draft sucks, so when you have your favorite novel, and you're like, 'Wow, this is a masterpiece,' and then you write your first draft, and you're like, 'This is really bad,' and then you're like 'I can't do this because this is nowhere close.' When, in reality, the book you loved so much started out just as crappy.

I'm a big believer in puking out all your thoughts in a single sitting and getting some version of the work down, because the alternative just prolongs the agony. The first draft is hideous and ajskdlkdfksjdfslfjk, but it's just a map for where the big blocks go.

It's one of the things writing students don't understand. They write a first draft and are quite disappointed, or often should be disappointed. They don't understand that they have merely begun, and that they may be merely beginning even in the second or third draft.

As a writer, I know that - you write a first draft and then put it in a drawer. The longer I can put it in a drawer, the better off I am. So I structure my writing so that things can sit.

The only thing I might have noticed [and this is pretty anecdotal] is that there is some tendency to need to be taught that 'writing is rewriting' - maybe more of a sense than was pervasive 10 years ago that the first or second pass of a story is sufficient. That is an idea that is easily dislodged, but I suspect it might have something to do with the turnaround time re: blogging and so on - this sense that there is some essential truth about a first draft that one runs the risk of "ruining" by coming back to it.

I don't feel I write fast. I write in longhand and do so much revision. On the page, it's so old-fashioned. I could write a whole novel on scrap paper, scribbles and things. I keep looking at it and something develops. For me, using a word processor would mean staring at a screen for too many hours.

Each of my books took roughly one and a half years to write. Some may have taken a shorter time to write the draft and a longer time to revise, while others were the opposite.

Books aren't written - they're rewritten. Including your own. It is one of the hardest things to accept, especially after the seventh rewrite hasn't quite done it.

Many first-time novelists end up rewriting their first two or three chapters, trying to get them 'just right.' But the point of the first draft is not to get it right; it's to get it written - so that you'll have something to work with.

I always write on unlined typing paper and write the first draft in longhand, using cheap Bic pens. I try to write about four pages a day, which usually yields a first draft in six months. I don't plot ahead of time, so I'm flying by the seat of my pants for the first draft.

My first draft is always way too long; my books start out with delusions of 'War and Peace' - and must be gently disabused. My editor is brilliant at taking me to the point where I do all the necessary cutting on my own. I like to say she's a midwife rather than a surgeon.

Unfortunately, there's still a lot of beginning writers who think you can just write your first draft and hand it in.

I don't write drafts. I write from the beginning to the end, and when it's finished, it's done.

To tell you the truth, I don't edit much at all. Most times, when I have finished the first draft, that's the book. Of course, I work on the page I am on until I am happy with it. I might even say that I try to state the landscape.

I hate first drafts, and it never gets easier. People always wonder what kind of superhero power they'd like to have. I wanted the ability for someone to just open up my brain and take out the entire first draft and lay it down in front of me so I can just focus on the second, third and fourth drafts.

If you're having trouble finishing a book, it might be that you're trying to fix it as you go. Just finish the story, no matter how terrible you think that first draft is. Then let it cool off. In other words, don't look at it for a while. Then you can rewrite it.

I am a hopeless pantser, so I don't do much outlining. A thought will occur to me, and I'll just throw it into the story. I tell myself I'll worry about untangling it later. I'm glad no one sees my first drafts except for my poor editor and agent.

I have to write a first draft with a fountain pen before I type it up as a second.

I'm a passionate believer in revision, and a lot of my writing gets done during revision process. It isn't just tweaking: I tend to break it apart and remake it every time I do a new draft.

When I'm my own editor, there's very little difference between the first draft and the final. I write what feels right to begin with. I rarely make any major changes.

I am such a rewriter; I have so many notebooks filled with drafts you wouldn't believe.