Kirsten Dunst Quotes

Lazy reviewers look up other people's reviews and they write the same thing, so you get people writing crap based on crap.

...." I was rather discouraged when I discovered that Paul and Hotch had no marketing survey, no business plan, no budget, no organized strategy for the introduction of the sauce. When asked about this lack of preparation, the haphazard nature of their business, Paul said, 'Me in this business is just part of life's great folly. Stay loose, men, keep 'em off balance.'"

Mediocre people have an answer for everything and are astonished at nothing. They always want to have the air of knowing better than you what you are going to tell them; when, in their turn, they begin to speak, they repeat to you with the greatest confidence, as if dealing with their own property, the things that they have heard you say yourself at some other place. A capable and superior look is the natural accompaniment of this type of character.

The film studios learned to our dismay but to their pleasure that if they spent $200 million making a film they could make half a billion on it. So they were not interested anymore in quality films... They can't afford to be that risky at those prices. Consequently you're getting a lot of remakes, sequels, dopey comedies full of toilet jokes...

I guess I have a gift for expressing pedestrian tastes. In a way, it's kind of depressing.

Few of those who fill the world with books, have any pretensions to the hope either of pleasing or instructing. They have often no other task than to lay two books before them, out of which they compile a third, without any new material of their own, and with very little application of judgment to those which former authors have supplied.

The Analytical Engine has no pretensions whatever to originate anything. It can do whatever we know how to order it to perform. It can follow analysis; but it has no power of anticipating any analytical relations or truths. Its province is to assist us to making available what we are already acquainted with.

Suddenness," he says. " You do not prepare, you do not explain, you do not apologize. Suddenly, you go. And with you, you take all contemplation, all consideration of your own departure. All the suffering that would have come from knowing comes after you are gone, and you are not a part of it.

There is nothing original; all is reflected light.

The problem was, and we saw some of this in the immigration-reform issues as well, was they hadn't done sufficient homework to know that I didn't have all the capacity they thought I did in order to just execute this through the stroke of a pen.

There is always the option of being emotionally lazy, that is, of quoting.

I feel like a lot of people involved with celebrity journalism have interesting ideas about the people they want to write about going into the interview. Then as soon as they actually sit down with that person, they basically ask the questions they think journalists are supposed to ask, and they start viewing themselves almost as a peer of the subject. Like they're going to become friends. That's why most celebrity journalism is so terrible.

This uses a lens system, which I have used for years in various different ways, but I've never used it in the context of an interview. This is the very first time that I've done that. It's a lens called The Revolution, so it allowed me to interview Elsa [Dorfman] and actually operate the camera. Well one of the cameras, because there were four cameras there.

The imitator dooms himself to hopeless mediocrity.

We got to his place and it looked a lot like his personality. Just a bunch of space filler, nothing to really wow you. It looked like he had bought a lot of stuff from IKEA and then decided to refinish it at home. Everything was neat and tidy, but you wouldn't want any of it for yourself.

Some people rely on rumors and gossip because they are devoid of any original thought.

Nothing new ever happens in the books. It's the same old theme.

Am I reserved? I think I agree with that. I don't think I'm particularly original. I am quite homey, though. But then I'm also quite transient. I quite like being nomadic.

Mike Wallace's interviews may make great television, but they don't produce great evidence.

The greatest detriment to tomorrow's success, is today's success.

The average mind is easily content with inherited and acquired things, or with the dicta of parents and teachers, because it is much easier to imitate than to create.

I realize that we all do express ourselves, but those who express that which is always being done are those whose thinking is almost in every way in accord with everyone else. Expression on this basis has become dull to those who wish to think for themselves.

I think most people are more susceptible to prejudice than to reason. And the parrots of talk radio are just sending out the same stuff. When I look at my e-mails, I see the same Limbaugh rhetoric; apparently, people don't have any ideas of their own. And there's just this drumroll of anti-progressive thought.

There is a problem on the so-called commercial stage in New York. The price of a ticket is exorbitant, and there are no longer original productions possible, apparently, on the commercial stage. They are all plays that were taken from either England or smaller theaters, off-Broadway theaters, and so on. The one justification there used to be for the commercial theater was that it originated everything we had, and now it originates nothing. But the powers that be seem perfectly content to have it that way. They don't risk anything anymore, and they simply pick off the cream.

Banality is a symptom of non-communication. Men hide behind their cliches.