Uwe Boll Quotes

It is not like casting me in your movie is going to help you get financing.

In Bosnia and Herzegovina, a country of few but nonetheless good films, it is almost impossible to produce a film without access to various European initiatives and funds. Creative Europe and its media program are essential for our film industry.

I've done my fair share of fundraising over the years, and I know how difficult that can be, so I could only imagine people's reaction when I was asking them to part with their hard-earned cash for a movie.

I've seen it happen with other directors. Sometimes there's a period where, if they're lucky, they get the financing where they can make two films in a year.

Along with loving the script, the reason I did 'Aeon Flux' was because I needed the job, and I couldn't find $5 million to make a movie independently - after making a fairly successful movie for a million dollars.

Financing for 'Shotgun Stories' was initiated with money from close friends and family. This is where the money to go into production came from. After production, a company called 'Upload Films' came on board and provided post-production funds and services. In both instances, people were taking a gamble on us.

We've always had a roadmap to feature filmmaking, and making a feature film could have been three or four years away for us. But crowdfunding helped us get there in a year, and it allowed us to take a much bigger step.

New Zealand was kind of getting a reputation for making middle-of-the-road films that weren't really that unique. They were kind of New Zealand versions of overseas films, and for sure, having an Oscar nomination totally helped me get funding.

Vidhu Vinod Chopra, who has produced my earlier films, is still a part of 'PK' and is presenting it. He is not a hands-on producer - he used to put a certain amount in the bank and give me the cheque book.

Many films you see in theaters are financed through outside sources. With big films, the studio will pay, hoping to reap the reward of their big bet. But with medium and small-sized films, outside production companies and financiers often foot the bill.

Social Security is a government program with a constituency made up of the old, the near old and those who hope or fear to grow old. After 215 years of trying, we have finally discovered a special interest that includes 100 percent of the population. Now we can vote ourselves rich.

What our economy needs is direct job creation by the government and mortgage-debt relief for stressed consumers. What it very much does not need is a transfer of billions of dollars to corporations that have no intention of hiring anyone except more lobbyists.

Every three years, we have to go to the governments and say, okay, you know you're saving millions of lives and even though your budgets are tight, helping Africa avoid this disaster really is a priority.

The government cannot become a bailout organization for companies on the verge of bankruptcy.

I think it's the same thing for a country. We are lucky then that we can get some financing from the government, because it means when I get the money, when I get the grant to do the film, of course it's based on the script, but I have total artistic control and I can do personal stuff.

As it turns out, it's really expensive to make movies, much more than records.

I need money. I have a staff of 30, and four houses, never mind the government, to support.

The ESM, the European Stability Mechanism, is not funded by Germany alone. Twenty-seven percent of the bailout package comes from Germany. Italy and France together cover a total of 38 percent. That's reality. It makes no sense to say that everyone wants to get at Germany's money.

The more comprehensive and convincing a debt reduction program is, the less likely it is to fail. And remember, just as Germany is grateful to America for the Marshall Plan, Italy would be grateful to Germany for helping it lower its refinancing costs.

I think the right-wingers have to buddy up to the fact that either the minimum wage has to go up, and people get enough money to live, or you're always going to have people needing government assistance. You can't have it both ways.

Not surprisingly, extensive effort in Britain and America goes into finding tax shelter. the system is "efficient" for the shelter industry, not for the economy.

I am honored and lucky to be one of the first films funded by Gamechanger Films, a consortium of investors who finance movies directed by women.

Everybody who's making the movies needs to work hard to make sure they're good. And if you don't show up and see the movies and support them financially, no one is going to make them. It's going to change unless it makes money. That's the long and short of it. You have to give in to the fact that it's a business.

My life isn't over and I'm not going to sit in a rocking chair and take money from the government.

Film is the cheapest part of the movie making process. The expense is the 100-man crew and the financing and everything.