Amanda Bynes Quotes

There aren't enough good scripts.

It doesn't help anybody to put out a bad script.

I was hired to do this one great script called 'Cap'n Ricky' and that project is up in the air at the moment.

When you have a good script you're almost in more trouble than when you have a terrible script.

There's one great script that hit my desk that I didn't change at all, and that was True Romance.

I take time to write my script, if I have more scripts, I will make more movies.

I just want to work on good scripts.

Writing a script is hard, I've discovered.

I'd love to work on a script in collaboration.

I think a good script is a rare thing, and I think no matter who you are you have to fight for the good ones.

I get a script and it's really interesting with scripts, because you never really know. It's paper and it could be great or awful. Even scripts that are good could end up not working.

Good scripts are hard to find.

A horrible script 99 percent of the time means a horrible movie. But if you start with a good script, odds are you're going to have a good movie.

These things are hard to pin down. We work on a script a bit, then work on a different one.

I read a lot of script. In my opinion, most of them aren't good or aren't about people.

Good scripts have always been, I think, hard to find. Good storytelling, good writing - it's just not easy. I have made it a point that - if I'm going to put the energy into doing this work - I will wait until I find something I'm really happy with.

If my film fails, I never think it was because the script was weak.

I have always wanted to be more interested in scripts.

It takes a year for us to generate a script that is ready to shoot. There are maybe 20 drafts of a script. And, each time, someone saying 'I don't really love this,' we discuss it for 15 minutes.

I started out working as a script editor and storyliner.

I didn't understand that TV writing wasn't writing; it was pitching.

'Safe' was a script that I read and flipped out for.

Writing a great script - not just a good one, but a great one - is almost an impossible task.

Oh, I had an idea for a pilot of my own at the time, and then Carl sent me about eight scripts and simply I threw my idea out the window because the writing was just so good.

I think the script is the key. Regardless of how great everybody else is working on a film, if you're working on a script that you don't think is great, you're not gonna be able to make a great film. Whereas if the script is great, then you can.