Rajkumar Hirani Quotes

I had written a script called 'Freed,' which I had wanted to direct.

'Hardware' came about because I had written quite a few scripts and hadn't had any luck getting them made.

I get so many scripts a day but none of them inspires me. If I get a good inspiring script, then I will be most happy to make it into a film.

I was asked to do a reading of 'G.B.F.' and I loved the script. I thought it was one of the most amazing things I'd read, but it took a year to get a green light for production.

The script for 'Thirteen' is tight, and not because of the now-famous six day writing spree, but more because it started out as 15 pages longer.

I want to make my own films from my own scripts based on stories I want to tell, but they take time to put together.

It doesn't help anybody to put out a bad script.

There's one great script that hit my desk that I didn't change at all, and that was True Romance.

These things are hard to pin down. We work on a script a bit, then work on a different one.

I'm not put off so much by first-time directors if the script is great. If the script isn't there, I'm not there.

There are many great writers out there and, actually, great scripts. The problem is - and this is what I've always felt, even when I got out of school and started reading scripts - the really smart, character-driven stuff tends to be smaller films, and they just don't get made.

If my film fails, I never think it was because the script was weak.

For me, it's important that the script is good. Then a good director will want to make it.

Writing a script is hard, I've discovered.

I prepared the script of 'Pataas', when working for 'Kandireega'. When I approached Kalyan Ram with the script, he liked it and said that he will produce the film with a big hero.

So, yes, I wrote a script called 'Ben Is Back' that I got to make with a bunch of remarkable artists and craftspeople.

I started out working as a script editor and storyliner.

The secret of making movies is having the strongest possible script.

I have stories that I'd like to maybe one day consider directing, but you need a lot of time to write and put it together.

Getting your screenplay right is the most important thing you'll ever do on your film.

I wrote 'All is Lost' while editing 'Margin Call'. I did that long before I knew if I was ever going to get to make another movie.

What you do is get the right director and the right screenwriter and the right cast. It's a fantastic job.

I think I've had pretty good experiences for the most part with the people who have directed my screenplays.

Mr. Disney and his staff were constantly scouting for great stories to bring to life on film.

My flag is always flying. My shingle is always out. I'm always looking for movie ideas.