Tom Hiddleston Quotes

When you pick up a script and you can't stop reading it because it's a real page-turner, that's a good sign.

One reads many scripts, and some of them are good and some of them are not, but every now and then, one really grabs you. You simply can't put it down.

Even now I try to make each page compelling for the readers to get absorbed in the book.

I want to write so well that a person is 30 or 40 pages in a book of mine... before she realizes she's reading.

I had started to feel that somewhere in the second half of the 20th century, the idea of page-turning as a good thing had been lost. You were getting books that were the equivalent of absolutely beautifully prepared dishes of food that didn't taste like anything much.

You can tell if you're going to be into a script within the first five or ten pages - if I'm not completely engaged by page 20, I just have to give up on it.

As a reader, I happen to like turning pages and wanting to know what happens next.

The readers are the ones who let us live our dreams. I try to write books which are really compelling - that you'd take on vacation and rather than going out, you'd read in your hotel room because you had to find out what happened. Hopefully that's what readers are responding to.

I love books that create worlds for me that I don't want to leave. I recently lost my entire life to Haruki Murakami - 1Q84. I tell people that book ruined my life in the best possible way. I couldn't think of anything else for weeks after I read it.

I think it's the sentence-to-sentence pleasures, the little surprises of a surprising style of an acute style, and also the way things happen one after the other, that makes a book interesting to read page to page

Even on the iPad or the Kindle, when reading a book, you're rewarded for pressing a button - it's almost as if it were a Pavlovian thing. There's a little action that happens. And that there's always a little pump of adrenaline that happens. But that pump is different when you're lifting a page as if it was a curtain in a theater to show you another thing.

With the audience I write for, I want to make sure that the reader is eagerly turning every page. I want each of my books to be an absorbing reading experience, an authentic piece of literature. The worst thing that can happen is for a book to have a chilling effect on the reader, to have a kid pick it up and look at a bunch of footnotes and think, No, I'm not going to read this, it's too intimidating.

The point of page one is to make people turn to page two and if at the end of the book people think that the book was good value for money, you have achieved something, because if you haven't achieved those things you're not going to achieve the other thing.

Even today, I hunt for the fabulous books that will change me utterly. I find myself happiest in the middle of a book which I forget that I am reading, but am instead immersed in a made-up life lived at the highest pitch.

When you read a book [The Hunger Games], you create that tonal bandwidth. You set a tone for yourself, as you're reading it, in which everything exists within the world of your imagination. In the book, it's great when she can push a button and food comes up, as per your order.

A novel is not an allegory.... It is the sensual experience of another world. If you don't enter that world, hold your breath with the characters and become involved in their destiny, you won't be able to empathize, and empathy is at the heart of the novel. This is how you read a novel: you inhale the experience. So start breathing.

I came to realize that far more important to me than any plot or conventional sense was the sheer directionality I felt while reading prose, the texture of time as it passed, life's white machine.

When you watch a tea ceremony, every single movement, every single gesture is very calculated. It's very precise, and it's all protocol. It's all a part of the system. And it's almost like they've sacrificed every single thing to make that perfect. It's like their craft.

Normally, when I read a script, it takes me two and a half hours. I usually put it down and come back to it. So, I know if I can read a script in one sitting, it's a fantastic script.

We read five words on the first page of a really good novel and we begin to forget that we are reading printed words on a page; we begin to see images.

Afterwards, in bed with a book, the spell of television feels remote compared to the journey into the page. To be in a book. To slip into the crease where two pages meet, to live in the place where your eyes alight upon the words to ignite a world of smoke and peril, colour and serene delight. That is a journey no one can end with the change of a channel. Enduring magic.

I love books where you can't get out of bed. You want to consume them in one sitting, devour them. Those are my favorites, where you've almost abandoned your life for them. That doesn't happen every time, but those are the best.

I am reading Henry James...and feel myself as one entombed in a block of smooth amber.

In anything fit to be called by the name of reading, the process itself should be absorbing and voluptuous; we should gloat over a book, be rapt clean out of ourselves.

The true felicity of a lover of books is the luxurious turning of page by page, the surrender, not meanly abject, but deliberate and cautious, with your wits about you, as you deliver yourself into the keeping of the book. This I call reading.