Pat Conroy Quotes

I don't like L.A. I've always said that, and people hate on me for it. I don't really like the city.

I don't like Philly. I don't care at all about Philly.

I think musicals are a lowbrow, populist art form. And I don't mean lowbrow in a condescending way at all - they are designed to create delight, wonder, joy, surprise. And what becomes really interesting is when innovative or challenging or smart people take it and use the easy runway that the form allows to take people to another planet, or another place. Or subvert it in some way.

I hate irony, particularly when it is used because there isn't any message or to hide that someone hasn't any story to tell. Just like when someone only spews out a stack of cool words which don't mean anything and then has the gall to call it art. I always want to create a bridge between us and the listener, and I want it to be so that kids want to create for themselves a story or a context of the words.

I think so many great artists are flocking to LA because the downtown art scene is so vibrant, there is cheap living and you can really flourish as an artist there. There is an unbelievably supportive and really smart, talented theatre audience in LA full of young, hungry, vibrant people. It's something that sort of makes me think of what New York must have been like in its downtown theater scene in the 1980s - before my time.

Film is not the art of scholars, but of illiterates.

Any form of art is a form of power.

I knew I had to take my ambition more seriously, so I enrolled at the Art Institute of Chicago. Then, in the fall, I went on a tour of my own. I didn't go to New York because that was too well known for its art scene.

I was thinking about New York and realized how much I hate walking around in the winter and how much I dread getting on the train.

I started doing community theater when I was seven and I think the intent was just expression. When you're a musician, you can make music in your room, and when you're a writer, you can write. Acting is one of the tricky art forms where you need a certain amount of permission to be able to do it. You can talk to yourself in the mirror, but it's different than actually acting or doing a scene. You need an audience and you need someone else to do it with.

The cinema was certainly an art, but television can't be, because it is the museum of accidents. In other words, its art is to be the site where all accidents happen. But that's its only art.

What you've lost sight of is what you are, and what you are is what you hate. You're the 10-time WWE Champion! You're the man! You, like the Red Sox, like Boston, are no longer the underdog! You're a dynasty. You are what you hate. You have become the New York Yankees!

I hate sandwiches at New York delis. Too much meat on the sandwich. It's like a cow with a cracker on either side. "Would you like anything else with the pastrami sandwich?" "Yeah, a loaf of bread and some other people!"

All art is an abstraction to some degree.

I'm living on coffee, cigarettes and hospitality food. My bags and things are all over this hotel room in Dallas, but the scene could easily be in London, Paris, New York of LA. My eyes are burning, my knees hurt and I hate to say it, but a certain and vital part of my nether region is beginning to smell like peanut butter. Welcome to life on tour.

The form of a work of art, which gives speech to their thoughts and is, therefore, their mode of talking, is always somewhat uncertain, like all kinds of speech.

Fantasy (in this sense) is, I think, not a lower but a higher form of Art, indeed the most nearly pure form, and so (when achieved) the most potent.

comedy is a high form of art becaus it brings us more joy than anything else, practically but at the same time, it doesn't get a lot of respect. that's the sacrifice you make to do it.

Living where I live New York I don't think anyone's going to make a fuss. But it is more deeply satisfying because it's of your place and means that you aren't forgotten; someone's noticed what you have been doing with your life.

I haven't seen so much tippy-toeing around since the last time I went to the ballet. When members of the arts community were askedthis week about one of their biggest benefactors, Philip Morris, and its requests that they lobby the New York City Council on the company's behalf, the pas de deux of self- justification was so painstakingly choreographed that it constituted a performance all by itself.

In New York, Catholic groups have forced an art gallery to shut down an exhibition of a six-foot image of Jesus in chocolate. So, the Archbishop of New York was very upset. He said, 'It is appalling to make Jesus out of food! Now, if you'll excuse me, I have to go bake some communion wafers.'

[Rewriting is] a whole other art form; it's about craftsmanship.

Why are you so weird?" "Because my weird has to be able to cancel out your weird, Lady Cross-stitch." "At least what I do is considered an art form." "Yes, in ye olde medieal Europse you would've been quite the catch-

I'd always wanted to tell people that when I work on my body I'm thinking about classical sculpture, so I jumped at the chance to show off body building as an art form.

This deliberately nurtured hatred then spreads to all that is alive, to life itself, to the world with its colors, sounds, and shapes, to the human body. The embittered art of the twentieth century is perishing as a result of this ugly hate, for art is fruitless without love. In the East art has collapsed because it has been knocked down and trampled upon, but in the West the fall has been voluntary, a decline into a contrived and pretentious quest where the artist, instead of attempting to reveal the divine plan, tries to put himself in the place of God.