Melissa Joan Hart Quotes

I seem to voice a lot of sweet, kind of dumb yellow characters for some reason.

I have agreed to lend my voice to Nature's Guard, an animated series which hopefully will go into production in the near future. The characters are all animals. My voice will be for a character named Longtail.

From the moment we started working on the first 'Wreck-It Ralph,' we knew there were so many possibilities with these characters.

On 'Shrek,' Eddie Murphy was locked in as the donkey before we'd even designed the donkey.

I want to make my own animes.

I've done the voice for the Hulk for the animated cartoon.

Someone at Disney heard one of the records and called me in to do the sounds of Lucifer the Cat in Cinderella.

The great thing about animation is it's like the radio. I used to do lots of radio when I was a kid, and you get to play parts you would never get to play ordinarily.

I wrote on a show called Johnny Bravo when I was at Hanna-Barbera.

I think with animation there's a certain freedom that you're given. You don't have a thought at the back of your mind, that worry that you'll have to cut and go back to the top of the scene. You're not working with anyone else from the cast. It's just you.

I want to be an animated character. I'm also doing more writing and directing.

In 'Tintin,' it's like a live-action role. You're living and breathing and making decisions for that character from page 1 to page 120, the whole emotional arc. In an animated movie, it's a committee decision. There are 50 people creating that character. You're responsible for a small part.

I was totally involved in Bobby's World from the time we started the idea to sitting with the artists on how he would look, to the script meetings, the music, the lyrics, the songs.

Mr. Disney and his staff were constantly scouting for great stories to bring to life on film.

And because performing for a game involves real acting. The way they create a game is very similar now to how they create a film. I've always wanted to stretch my acting skills, and the timing being what it is, I couldn't say no.

'Ice Age' felt like stage acting. You'd write a sequence, and sometimes you'd submit pages, but other times, I would actually perform it for the directors and producer in my office.

'Allen Gregory' came about because we wanted an animated show and we were just tossing around some ideas about me playing a 7-year-old. We thought that would be cool, because we couldn't do that in real life.

My very first professional job was a cartoon, doing voices for the Mr. T cartoon in high school.

I love the idea of animation just because it removes the actor from the character, and you can be anything. I've been devouring 'Adventure Time' and 'Archer.' I'd love to get my hands dirty on either of those shows.

I did take some voiceover classes. I always loved the idea of doing a voice for a cartoon character. I just voiced the character of Suzi X in the upcoming 'The Haunted World of El Superbeasto.'

I am one of the new characters in the brand new series of 'Postman Pat.' It has been a joy to do.

From what I've understood, it's an entirely different world, and it's a tough world to get your foot in the door, but I've always wanted to be a voice of a Disney character.

I'm in a play on Broadway, I have an animated TV show coming up, I have a few movies that just came out.

Acting is a plum gig, and then animation is an even more plum gig.

My respect for animation has gone way up. It's a truckload of work. I have to sit with my animators the same way I'd sit with my actors and cast them.