G-Dragon Quotes

I think what's wrong with the fashion world, particularly men's fashion, is the lack of creativity behind it.

Theory did a great work pant, and everyone was doing denim. But no one was making a trouser sexy, or the focus of an outfit... So, that's what I set out to do.

I work with structure, but I go outside the box and give it my own spin. I adore the challenge of creating truly modern clothes - where a woman's personality and sense of style are realized.

There's always been a separation between fashion and what I call my deeper work.

It's much more casual than it was, but my clothes and my ring attire - I thought up half of what I brought to the show.

I create fashion that is memorable.

I'd like to cut an attitude into clothes.

It's so hard to do fittings [for Yeezy] because we want to do things that are inspiring, that people could look at and say, "Wow, I like that color palette, I could put that together." And there are so many images of things that it's almost impossible to have your clothes go up against the amount you're seeing and carry it into one language.

I see myself as a true modernist. Even when I do a traditional gown, I give it a modern twist. I go to the past for research. I need to know what came before so I can break the rules.

I brought a lot of my own pieces of clothes to the design room when I first met with the design team just so they could see what my style was like.

It wasn't like I just woke up and said, 'Here's my gimmick; I'll wear a hat and put something weird on it.'

It's what I've trained for, from the first sketch to the fabric. Making dresses that are different from the usual style, and a lot of fun to wear.

I don't think punk fashion is a specter or overemphasized - it made a big impression, as there had never been anything like it before.

I was one of the early guys from my generation to have hair on his face. Me and Tom Selleck, and I was first.

I always wanted to create clothing that was universal - easy to wear, to care for, and that was also beautiful. As such, I became interested in polyester, and its potential, from the beginning of my career.

I love Vivienne Westwood - she designs for womanly shapes.

To me, fashion is ceaselessly fascinating because it is an expression of self.

I want to design clothes that I wish I could have worn when I was a teenager.

I am not really interested in clothing as a conceptual art form.

With an evening wear collection, each piece has to be quite individual.

For me, menswear is an experimental ground to play with something. There is scope to be gained there - you can create a new normality.

My signature line of clothing for Satya Paul will showcase a distinctive aspect of my own personal style.

Fashion was always with me since I was young. I would always be like, 'What do I want to be when I grow up?' And it hit me when I was young - I wanted to be a fashion designer.

When we started, there was lots of formalwear made with quality fabrics, but Loro Piana's innovation was to use these in casualwear, too.

Clothes are only completed when somebody actually wears them. If they were art, they could be more abstract. As long as something is new and has never been seen before, I don't mind if people call it art. Wear them if you dare.