Meaghan Rath Quotes

It doesn't bother me to work with so much green screen. I prefer real settings obviously.

Green screen's not my favourite thing to do.

When you're doing a film that has so many effects, you do a lot of it on green screen, and you can't see what that world is.

Working with green screen, you really rely on the director in a way that you don't on different types of films.

Working with a green screen is so different than working with another human.

I'm not a great fan of green screen. It's not much fun for actors. It's great for directors and technical people and cameramen.

I wish they taught green screen acting classes.

You've seen how they make movies like Star Wars and stuff. They're never really there. They're in front of a green screen just pretending to be jumping around.

I don't like camera trickery and editing and doubles and all of that.

Acting on a blue screen is awful.

It was close to like a 67- or 70-day shoot for 'Tron' on stage, in the suit. You can't even sit down during the day because of all the cables that divide the foam rubber and all the electrical circuits. We had these stools that were tall with a bicycle seat on them and you're just looking at a blue screen all day.

It's hard, the green screen; it's a different way of working.

I've done some effects shots. I've done some compositing. And in 'Just Like Heaven' did a lot of, like, motion control and things like that. But never done, like, computer-generated imagery in action.

Technically, the green screen acting can be difficult because there's something worse than a tennis ball on the end of a stick; it's an Australian visual effects assistant running around a field with a cardboard dinosaur head on the end of a stick while wearing sandals.

On 'Game of Thrones,' we always shoot away from the green screen because it's bloody expensive to shoot green screen.

It takes time to write a script and properly make the film and edit it.

Acting with a green screen has been physically challenging. I look at the green screen and then I'll look somewhere else and everything looks red. It's a bizarre thing where green has an effect on my vision, but it's fun.

When I filmed 'Power Rangers,' almost everything was being assisted by a green screen, but it wasn't the same with 'Stranger Things.'

I read about some movie where they did everything on blue screen, and the actors were not even connecting to each other.

You don't have your film finished when you have your director's cut finished. It's just a bunch of green screen.

I directed a movie and now, I'm going to do the editing.

First of all, in the old days, if you wanted to show someone getting shot on film, all you could do was place an effect in the original take. And if you wanted to brighten somebody's face and leave the rest of the room dark, that was a very expensive process.

'Alice' took over two years to make and took a great deal of planning, obviously much more than usual. We spent so much more time prepping the film, and that was unique for us.

Other effects in the show included models of the ships which were extremely expensive to make. We used to do our shots in front of a blue screen and they'd put the effects on after.

I like pre-production and post the best. I don't like shooting at all. I find it grueling and tough, but I love post and the whole process of seeing the film finally come together. You start ironing out all the rough spots, and the really bad bits you just throw away. So from day one of post to the last day, you see nothing but improvements.