Chroma Key Quotes

You've seen how they make movies like Star Wars and stuff. They're never really there. They're in front of a green screen just pretending to be jumping around.

Working with green screen, you really rely on the director in a way that you don't on different types of films.

Technically, the green screen acting can be difficult because there's something worse than a tennis ball on the end of a stick; it's an Australian visual effects assistant running around a field with a cardboard dinosaur head on the end of a stick while wearing sandals.

[I was filmed] against a blue screen [in the Star Wars]. All the rest came later, in Lucasland. They did have me take gun lessons, though. I went to the same guys who taught Robert De Niro for Taxi Driver.

All the time that I'm acting with an animated character, I'm looking at a tennis ball or sticky tape or an eyeline or a man in a green suit. There's no real environment, just this electric green that's blaring into your brain.

Green screen's not my favourite thing to do.

'Green Screen' was a total experiment. I'm glad we did it, but it was just tough on that network to get it going.

When you act against a blue screen, you have to imagine what's not there.

When I filmed 'Power Rangers,' almost everything was being assisted by a green screen, but it wasn't the same with 'Stranger Things.'

Imagining things are there that are not really there, with the green screen, is very much like theatre, when you're looking at the fourth wall.

I don't mind doing the green-screen stuff at all, and in fact it's a lot like black-box theater, which I did plenty of in New York.

When you're doing a film that has so many effects, you do a lot of it on green screen, and you can't see what that world is.

It doesn't bother me to work with so much green screen. I prefer real settings obviously.

Working with a green screen is easy. It's just like being a kid. But it's not nearly as satisfying.

It was close to like a 67- or 70-day shoot for 'Tron' on stage, in the suit. You can't even sit down during the day because of all the cables that divide the foam rubber and all the electrical circuits. We had these stools that were tall with a bicycle seat on them and you're just looking at a blue screen all day.

I read about some movie where they did everything on blue screen, and the actors were not even connecting to each other.

Shooting against greenscreen... my choice of filming is, like, I'd rather shoot on location than shoot on a set, and I'd rather shoot on a set than shoot against greenscreen. You start stripping away the layers of reality, and it becomes a lot less fun to actually film.

I'm not a great fan of green screen. It's not much fun for actors. It's great for directors and technical people and cameramen.

Regarding green screen, green screen is really like doing some stage work. You have to make believe that there is a window, make believe that something is there that is really not there and convince the audience. It's part of acting.

Acting on a blue screen is awful.

Working with a green screen is so different than working with another human.

Acting with a green screen has been physically challenging. I look at the green screen and then I'll look somewhere else and everything looks red. It's a bizarre thing where green has an effect on my vision, but it's fun.

Green screen, you know, it's been interesting, it's my first time to ever work with green screen technology, and it's, sometimes it can be really boring because you're like wow, I've got to really imagine all of this stuff around me. But it's low maintenance, which is nice, um, and it's not as hard as I thought it would be, so.

I wish they taught green screen acting classes.

On 'Game of Thrones,' we always shoot away from the green screen because it's bloody expensive to shoot green screen.