Rajkumar Hirani Quotes

It's tricky to ask a filmmaker to explain his own work; usually we're the least qualified to make sense of what we've done, unfortunately, because of the tunnel vision required to create anything over four years.

I hate to sound like a romantic adolescent, but I believe artists don't generally see art as a career choice; they simply can't overcome their desire to make art, and will live on little income for as long as they have to, before they start to sell their work - or give up and get a paying job.

When it comes to art, you just need to be focused on doing a great thing. Not thinking all about the business.

When everything is added up, the frequent blows weighted against the sporadic triumphs, this is I have to say not just a vocation, it's a great gift. But you also know this, for your work, for your passion, every day is a rededication. Painters, dancers, actors, writers, filmmakers. It's the same for all of you, all of us. Every step is a first step. Every brush stroke is a test. Every scene is a lesson. Every shot is a school. So, let the learning continue.

When you set down the path to create art, whatever sort of art it is, understand that the path is neither short not easy. That means you must determine if the route is worth the effort. If it's not, dream bigger.

Those who are to follow the arts should have a training in what is called poverty. Given a comfortable middle-class start in life, the artist is almost sure to end up by becoming a bellyacher, constantly complaining because the public does not rush forward at once to proclaim him.

You come out of each movie just thinking, "God, if we can fool them into letting us make just one more, we can get it right."

The only sensible way to regard the art life is that it is a privilege you are willing to pay for... You may cite honors and attentions and even money paid, but I would have you note that these were paid a long time after the creator had gone through his struggles.

People often ask me how long it takes me to write a play, and I tell them 'all of my life.'

I feel such a creative force in me: I am convinced that there will be a time when, let us say, I will make something good every day , on a regular basis....I am doing my very best to make every effort because I am longing so much to make beautiful things. But beautiful things mean painstaking work, disappointment, and perseverance.

I gave myself over to music and art a long time ago, so I don't get to relax and I don't get to sit still. The best I can do is constantly create my own environment so it benefits what I need to accomplish in the next step.

Art, especially the stage, is an area where it is impossible to walk without stumbling. There are in store for you many unsuccessful days and whole unsuccessful seasons: there will be great misunderstandings and deep disappointments… you must be prepared for all this, expect it and nevertheless, stubbornly, fanatically follow your own way.

To decide to film a movie again shot by shot, you must be masochistic to a certain degree because it is a much greater challenge.

The novelist screws up his courage in order to invest another two or three years in another attempt to float a boat of original design upon an invented ocean.

I am just beginning to understand what it is to paint. A painter should have two lives, one in which to learn, and one in which to practice his art.

Art is not meant to be created in stolen moments only.

An artist's working life is marked by intensive application and intense discipline.

If the artist does not fling himself, without reflecting, into his work, as Curtis flung himself into the yawning gulf, as the soldier flings himself into the enemy's trenches, and if, once in this crater, he does not work like a miner on whom the walls of his gallery have fallen in; if he contemplates difficulties instead of overcoming them one by one ... he is simply looking on at the suicide of his own talent.

I don't really have any advice, other than to say it's the most appallingly difficult thing I've ever tried to do and I wish I had a better idea of how to do it. In my experience what you end up with is the by-product of your failure to achieve what you set out to do. It may turn out OK, but it wasn't what you meant and you've no idea how you got there.

Making a film, you're in a really dark tunnel and the only kind of illumination is the shared experience you're having with your fellow cast and director.

An artist might be attracted to hedonism, but of course an artist is not a hedonist. He's a worker, always.

If you study a great work of art, you'll probably find the artist was a kind of genius. And geniuses are different to you and me. So let's have no talk of temperamental, self-absorbed and petulant babies. Being a good artist is the toughest job you could pick, and you have to be a little nuts to take it on. I love them all.

It is with art as with love: How can a man of the world,with all his distractions, keep the inwardness which an artist must possess if he hopes to attain perfection? That inwardness which the spectator must share if he is to understand the work as the artist wishes and hopes... Believe me, talents are like virtues; either you must love them for their own sake or renounce them altogether. And they are only recognized and rewarded when we have practised them in secret, like a dangerous mystery."

When you decide to become an opera singer, it's a commitment that allows nothing else to interfere. Even your family - and I have a young daughter - has to take second place.

Painting is like having a bad mistress who spends and spends and it's never enough ... I tell myself that even if a tolerable study comes out of it from time to time, it would have been cheaper to buy it from somebody else.