Philip Glass Quotes

I had always been more interested in playing and improvising than sitting down at a desk and writing out a piece. I'd always found it more fun to play, and the other a little bit tedious. I always had trouble with the decisions.

I am going to write my symphony; I'm just going to start tomorrow.

I've always had a really great time being in movies and writing music when I get home. The more creative I am, the more it feeds into other creative aspects of my life.

I'm a synthesist. I'm always making music. And I make a lot of different kinds of music all the time. Some of it gets finished and some of it doesn't.

Making music and writing kind of come from the same creative place.

I am always writing music. I have got unlimited ideas because I have been clean and sober for my entire life.

Music is an amazing thing. I don't know if we really think about it the same way we consider a painting an amazing thing. I mean, a painting is, in quotes, imaginary. There is nothing on the canvas when you start; and writing a song, there is nothing there when you start.

In order to compose, all you need to do is remember a tune that nobody else has thought of.

I can only write songs when somebody gives me some water to swim in. Otherwise, I'm a fish on the beach.

When I'm writing [songs], some days the pen just goes. I'm not in charge and I'm almost listening outside of it. That's when I realize that we all have to start looking at life as a gift. It's like listening to a color and believing that these colors have soul mates and once you get them all together the painting is complete.

I gotta pound the keys for the ideas to flow.

Writing songs always trumps whatever else was on the schedule, it really is the most important and can be so fickle, you have to grab it when it's there.

I like writing melody without an instrument. It's just so - it's more like the choreography of a bee; you just go.

One of the few things I know about writing is this: spend it all, shoot it, play it, lose it, all, right away, every time. Do not hoard what seems good for a later place in the book, or for another book; give it, give it all, give it now. . . . Something more will arise for later, something better. These things fill from behind, from beneath, like well water. Similarly, the impulse to keep to yourself what you have learned is not only shameful, it is destructive. Anything you do not give freely and abundantly becomes lost to you. You open your safe and find ashes.

It's true that I can write a song and not really be sure what the meaning of it is.

The first splurge of creativity is kind of free, and the last 30 percent is painstakingly hard work, but it's good to light a fire and make it public and create that expectation. It's become part of the writing process, really, a way to ask the audience what they think, how they think it's going. I can't write songs in a vacuum.

Writing songs is no different than explaining to somebody what you dreamed last night: No one ever gives you crap for what you dreamed last night. "I was laying in my bed, and all of a sudden a stallion jumped on my bed and the next thing I know I was in Mars but it looked like my kitchen"... That's kind of what I do with my songs, write them in a dream-like manner. It's up to people to swallow it however they want.

In the same way, I can wake up with a very positive idea of what I want to do for my collection, and be completely desperate at night regarding the same thing. And I do a lot of other things too: Writing for me is almost as important as drawing my collection.

With writing music and writing songs and recording music and coming up with stuff, you need to kind of reengage that kind of inner child to come up with interesting perceptions.

People get inspired to write, paint, draw, sing, sculpt, dance in many different ways. And there are many types of art. But the one thing that they all have in common is that they are all a sort of magic. Sometimes the magic flows from one’s fingers, other times it is transferred to the person who experiences the result. Magic has always worked in mysterious ways.

The creative mind plays with the object it loves.

To write that essential book, a great writer does not need to invent it but merely to translate it, since it already exists in each one of us. The duty and task of a writer are those of translator.

Only when I experience do I compose - only when I compose do I experience.

It sounds like I'm channeling or something, and I don't really fully understand what it is. I'll get a piece of paper and write down what I think is coming to me. And I'll play it once. Whether it's being recorded or not, I can then usually remember it for a sometimes shocking amount of time.

I never intended to write poems, nor to be a photographer, nor to be a film-maker. I just took many, many pictures and I would put them in an album, and then some years later I decided to show them and suddenly I was called a photographer. Same thing with my poetry. They're notes that I'd written in a book and it may be considered poetry.