George Saunders Quotes

If I feel physically as if the top of my head were taken off, I know that is poetry.

I think music isn't just a genre or sound. If it sounds good and makes you feel good it's a beautiful thing.

I think that laughter is very close to terror and horror. Maybe that's just me, but that sort of all - over rush that happens when you are either laughing or terrified or weeping...? I think that comedians, in and of themselves, make other people laugh because they aren't necessarily the happiest people in the world. So they know a lot about dark things.

Andrei, did you like the opera?" "Not particularly." "Andrei, do you see what you're missing?" "I don't think I do, Kira. It's all rather silly. And useless." "Can't you enjoy things that are useless, merely because they are beautiful?" "No. But I enjoyed it." "The music?" "No. The way you listened to it.

As people, [my parents were] very colorful, very talkative, passionate, they really loved each other. But that also meant heated, it meant there was a lot of drama in the house. Which is good for a filmmaker, I think.

You've got to be hurt and upset; otherwise you can't think of the really good, penetrating, X-rayish phrases.

If I go to the National Gallery and I look at one of the great paintings that excite me there, it's not so much the painting that excites me as that the painting unlocks all kinds of valves of sensation within me which return me to life more violently.

So we don't believe that life is beautiful because we don't recall it but if we get a whiff of a long-forgotten smell we are suddenly intoxicated and similarly we think we no longer love the dead because we don't remember them but if by chance we come across an old glove we burst into tears.

Shut your eyes, wait, think of nothing. Now, open them ... one sees nothing but a great coloured undulation. What then? An irradiation and glory of colour. This is what a picture should give us ... an abyss in which the eye is lost, a secret germination, a coloured state of grace ... loose conciousness. Descend with the painter into the dim tangled roots of things, and rise again from them in colours, be steeped in the light of them.

Beauty is like a train that ceaselessly roars out of the Gare de Lyon and which I know will never leave, which has not left. It consists of jolts and shocks, many of which do not have much importance, but which we know are destined to produce one Shock, which does...The human heart, beautiful as a seismograph...Beauty will be CONVULSIVE or will not be at all.

I think beauty is a feeling that you get after you've had an experience. It's the way you feel about it that is beautiful.

I think that music is still a mystery to most people. It kind of goes through most people without a specific thought. They feel the music, which is what's supposed to happen. They're not supposed to be curious about who wrote the music; they're supposed to feel what the show is trying to get them to feel. So if I help get that feeling across, that's good enough for me.

As much as the needs of fact, the needs of the spirit and the senses, must be satisfied. Architecture is as much a part of the realm of art as it is of technology; the fusion of thinking and feeling.

Feeling in love (or lust) and fear feel a lot alike. They both give you that anxious butterfly feeling in your stomach, a sense of excitement, and a general unease physically and mentally. It's easy to confuse love with fear.

The poet should try to give his poem the quiet swiftness of flame, so that the reader will feel and not think while he is reading. But the thinking will come afterwards.

No facts, however indubitably detected, no effort of reason, however magnificently maintained, can prove that Bach's music is beautiful.

It is always much easier, I have discovered, to make people cry or gasp than to make them think.

Turn the goddam music up! My heart feels like an alligator!

People don't just get upset. They contribute to their upsetness. They always have the power to think, and to think about their thinking, and to think about thinking about their thinking, which the goddamn dolphin, as far as we know, can't do. Therefore they have much greater ability to change themselves than any other animal has.

It is easy now to communicate with people through abstraction, and particularly so in sculpture. Since the whole body reacts to its presence, people become themselves a living part of the whole.

There's something immediate about the experience of reading a poem. It makes sense in my own mind, but I'm trying to figure out a way to articulate it... It's like looking at a painting: you're able to take in the totality of the work all at once, and so processing whatever information that painting is giving you is almost secondary to simply apprehending what's in front of you.

It is easy to specify the individual objects of admiration in these grand scenes; but it is not possible to give an adequate idea of the higher feelings of wonder, astonishment, and devotion, which fill and elevate the mind.

I think violence in movies, for it to work, you have to use it smartly. People get numb very fast. If you have too much violence in the beginning, it gets to a point where you don't feel it.

Beauty crowds me till I die.

Every single of us is going to be saying, "Thank God, finally, an interesting convention." But you're right about all those people out there. All the people who have been energized by the Trump campaign are going to be very, very angry folk if they think that Trump is not well treated.