Katee Sackhoff Quotes

My big thing is that I always get typecast.

I don't want to be typecast.

You can get pigeonholed in Hollywood and people think of you in a certain way.

It's not fun for an actor to be pigeonholed in any way.

I do think I tend to be typecast, but it doesn't necessarily bother me.

I think that I've been pigeon-holed by virtue of the fact that I've spent so much time in front of a green screen.

It's really hard to not get put in a box when you're acting and get typecast.

You're always being cast for what you've been in last.

After The Wizard Of Oz I was typecast as a lion, and there aren't all that many parts for lions.

When I was younger, you get pigeonholed in parts, which is understandable.

I'm aware of being pigeonholed in those period drama roles. But, I do love them at the same time.

I give two hoots about being typecast. It's not in my hands.

I think any actor in their right mind is afraid of getting pigeonholed.

You can easily become boxed in and be only identified with musicals or plays.

Casting directors now just see me as the hard-core sniper or prison guard.

Once you become tagged as anything, it becomes difficult to shake it, because the less imaginative people in the business want you to do what worked for the last guy. That's always been something I've had to deal with.

Hollywood loves to typecast, and I guess they saw me as a violent guy.

I hate to talk about typecasting, because being typecast as Columbo ain't cancer.

It's a good thing to be typecast, isn't it?

It can be difficult to get cast as something that is off-center from you, and my biggest fear is to be typecast.

I think sometimes actors who have predominately done comedy get a little typecast by some people.

In the industry, once people see you in a certain mold, you start getting offered only those kind of roles.

I knew that in Hollywood they tend to pigeonhole talent, and when you experience a little success in one genre, their instinct is to keep you in that box.

I think you're stereotyped after every film. Post 'Dev D,' I was only offered bold roles. Similarly, after 'Margarita With A Straw,' I was offered roles where I had to play differently-abled people. So, no matter what type of film you work in, people tend to slot you.

I think I was pigeonholed pretty early on. And I started late in my career. I was 33.