Eve Best Quotes

It's always a mystery when you're going into a role - 'Here's your wife of 40 years and... action!' How do you create ease or chemistry or whatever is supposed to exist?

A good trick I learnt early on is not to immediately look at playback because once you know the shot, you can see when the camera is on you. It's best to stay 'in it' all the time, and just if it's on you, it's on you, and if it's not, it's not. It's the easiest way.

It's hard enough to just be a good actor. When you're on set, there's everything going against you. There are walkie talkies going off, the camera is creaking and moving, there are boom mics, and you have to hit your mark and make sure you don't shadow the other person's face. It's a really technical process.

Modeling is great because I don't have lines to memorize. But I find acting much more challenging - which is a good thing!

In theater, the wellspring of the character comes from the doing of it, like a trial by fire, but in front of an audience.

If I do a scene with an actor who doesn't have much experience, I say, 'I tell you what we're going to do: You just listen to me, and then you respond. We don't have to do any acting.' And that's good advice because you shouldn't see the acting.

Sometimes fake laughing is hard once you've done a scene 18 times. I don't want to brag, but I have a reputation for being very, very good at that. It's funny finding what's challenging about acting as you go.

Actors are very demanding because they have nowhere to hide. If I write a scene, it doesn't turn out very well, I don't ever have to show it to anyone; when you turn the camera on, or when you walk on stage, they have to feel like what's happening is real.

If you feel like you're doing terrible in a scene, that usually means that you're not listening because you're too preoccupied with yourself... you're not listening to your scene partner. If you listen, you're naturally going to get that response that the camera's going to pick up because you just react.

Playing characters I don't relate to are a big challenge for me.

I've never been that comfortable with the acting thing. It's difficult for me to separate what's really going on. If there's kissing, that's kissing. I'm not acting; I don't know how.

I am so used to being up on stage and talking to my fans that it's strange to be on stage and be someone else. I can't look at the audience during 'In the Heights' or I will start talking to them.

All good actors are unpredictable, and a little crazy in a good way, because they feel more secure playing other people than themselves.

When you're acting in a scene, you're focused on doing the scene. You can't break character and go, 'Oh my God, I love what you're doing!'

My acting coach I've got here, Richard Lawson, he's been doing good, just telling me to calm down sometimes and just be me.

Comedians work great as actors because they're good under pressure. With a lot of actors, you have to make them feel like everything's going really well to get a good performance out of them. But, if you have a comedian on the set, you can tell them, 'Hey, you really are screwing this up,' and then they just get better.

I'm not the kind of actor that can go completely cold into an emotional scene. I have to transport myself emotionally by whatever means possible, and that basically means you carry the situation with you all week, all episode or all day beforehand.

You know, I've never been much of a method actor. I feel like, with every project I go in extremely prepared and I like to have a good time.

I love an acting challenge, and I love getting to sit down with my script and do all my drama work.

He wasn't really Method but he believed that when you did a role there were lots of things you could do with your co-star in order to create the right environment. You known, if you were supposed to be in love, to create that feeling between the two of you.

Sometimes a scene works and acting is the easiest thing in the world and you don't have to do much of anything - just enjoy yourself and listen to the other actor. When it doesn't work, then every actor has different ways of dealing with the impasse. Sometimes you use memories from the past. Whatever. It depends from job to job.

When you act a scene with Sidney Poitier, he listens intently to every word you say. You can feel your words hit him. He makes the scene utterly real.

The actor already comes with emotions to the scene: fear, the fear of being in front of the camera. It is this fear that spurs the emotion of the scene. I too am afraid; I don't know exactly what I am searching for. On the set, we are all participating in this fear together.

It turned out to be exactly that, but more challenging emotionally. I looked at it in a more physical way, having to act in a chair and move around. But it really was more emotionally challenging.

I don't think I would be a good actor! People enjoyed 'Dancing With the Stars' because I was myself, and every time they told me to say something, I would say my own words, so I don't think I could follow a script well!