W. Somerset Maugham Quotes

... 'I've been doing everything for an awfully long time, and I've seen and lived as hard as I could, and it's been unbelievable, I tell you, unbelievable. But now I have the feeling everything's gliding away from me, and I don't remember, and I don't care, and yet now is right when I need it!'. [pp. 84-85]

The worst feeling in the world is the homesickness that comes over a man occasionally when he is at home.

I look at old photos of me, and I don't feel connected to them at all.

The things which I have seen I now can see no more.

So now I'm going back again I got to get her somehow All the people we used to know They're an illusion to me now Some are mathematicians Some are carpenter's wives Don't know how it all got started I don't what they're doing with their lives But me I'm still on the road Heading for another joint We always did feel the same We just saw it from a different point of view Tangled up in Blue.

What, then, is that incalculable feeling that deprives the mind of the sleep necessary to life? A world that can be explained even with bad reasons is a familiar world. But, on the other hand, in a universe suddenly divested of illusions and lights, man feels an alien, a stranger. His exile is without remedy since he is deprived of the memory of a lost home or the hope of a promised land. This divorce between man and his life, the actor and his setting, is properly the feeling of absurdity.

I probably still haven’t completely adapted to the world. I don’t know, I feel like this isn’t the real world. The people, the scene: they just don’t seem real to me.

Home ...Home. ...the word, ...has ...no ...meaning

He must have felt that he had lost the old warm world, paid a high price for living too long with a single dream. He must have looked up at an unfamiliar sky through frightening leaves and shivered as he found what a grotesque thing a rose is and how raw the sunlight was upon the scarcely created grass. A new world, material without being real, where poor ghosts, breathing dreams like air, drifted fortuitously about...like that ashen, fantastic figure gliding toward him through the amorphous trees.

Into the nothingness of scorn and noise, Into the living sea of waking dreams, Where there is neither sense of life or joys, But the vast shipwreck of my life's esteems; And e'en the dearest--that I love the best-- Are strange--nay, rather stranger than the rest.

There was a desperate undercurrent to our marriage--a feeling of being in a dream from which I couldn't seem to awaken. A nagging sense that my life, laid out so neatly like the clothes Deirdre left on my divan, was no longer my own.

Hey, what is it with you? Why are you so spaced out? You still haven't answered me." I probably still haven't completely adapted to the world," I said after giving it some thought. "I don't know, I feel like this isn't the real world. The people, the scene: they just don't seem real to me." Midori rested an elbow on the bar and looked at me. "There was something like that in a Jim Morrison song, I'm pretty sure." People are strange when you're a stranger.

There appear to be no integrating forces, no unified meaning, no true inner understanding of phenomena in our experience of the world. Experts can explain anything in the objective world to us, yet we understand our own lives less and less. In short, we live in the postmodern world, where everything is possible and almost nothing is certain.

It was awkward, revisiting a world you have never seen before: like coming home, after a long journey, to someone else’s house.

In a universe suddenly divested of illusion and lights, man feels an alien, a stranger. His exile is without remedy since he is deprived of the memory of a lost home or the hope of a promised land.

My very existence, my life in the world, seemed like a hallucination. A strong wind would make me think my body was about to be blown to the end of the earth, to some land I had never seen or heard of, where my mind and body would separate forever. “Hold tight,” I would tell myself, but there was nothing for me to hold on to.

There we were all in one place, a generation lost in space.

A theme that appears repeatedly in the writings of the social critics of the second half of the 20th century is the sense of purposelessness that afflicts many people in modern society.

I hate this feeling. Like I'm here, but I'm not. Like someone cares. But they don't. Like I belong somewhere else, anywhere but here, and escape lies just past that snowy window, cool and crisp as the February air.

Lately, I feel like my life is a book written in a language I don't know how to read.

I dream that I have found us both again, With spring so many strangers' lives away, And we, so free, Out walking by the sea, With someone else's paper words to say.... They took us at the gates of green return, Too lost by then to stop, and ask them why- Do children meet again? Does any trace remain, Along the superhighways of July?

The weird nihilism that permeates Mellon Collie is extremely relevant to what's going on right now. So many kids are intelligent and articulate, but they don't know what to do with themselves.

If you don't get a goodnight kiss, you get Kafka dreams.