Greg Grunberg Quotes

I remember hearing a good story about Jack Nicholson working with Stanley Kubrick on The Shining [1980]. Nicholson was saying that, as an actor, you always want to try to make things real. And believable. When he was working with Kubrick, he finished a take and said, "I feel like that was real." And Kubrick said, "Yes, it's real, but it's not interesting".

I want a script to affect me in some way. I am usually drawn to character studies, scripts about real people and the world we live in not some fantasy.

I hear people talk in my head and I write it down. I choose where they live and how they dress to be real. That person wouldn't wear that. That person wouldn't say that. She can't afford to live like that. All that bullshit that so many movies have in them. I don't want to see that.

I don't do comedy. I think if a situation is funny you just play it for real and if it's funny, it's funny.

What is important to me as an actor is that, even if I have to spread my arms, take my shirt off on a mountain top with my heroine in a chiffon sari, it still has to be me and my twist or my funny take on it.

'Funny People' is my favorite performance of myself to date. Even though it's a comedy and there are serious moments, I really felt like Leo felt like a real person. It didn't feel like I was playing myself. Whether it's a comedy or drama, I just try to make it as realistic as possible.

Actors are pretending for you, but they're not lying. They are not putting on a guise instead of themselves. They are finding things inside that they have experienced.

As an actor, you work to the script: that's our main priority. But you have to be aware and look around for things that help you bring that little bit extra, that touch of realism that rams the point home.

But to your point - you also raise a point, too, that it's not that, like, a bromance is necessarily a new thing. It's happened a lot in sort of big budget comedies in the past decade or so. But people have pointed out to us that we're doing a bromance, so to speak, but doing it in a different way that's even more authentic and real and sincere.

If you're trying to be realistic and bring real life to the screen, you are going to have different elements. That's what I'm trying to do. As I make the movie, different elements come in naturally.

Sometimes you have to think about what you're going to say, in real life, so when you see that thought process going on in a movie, it feels real and looks real.

Even though I'm an actor, even though I know a little bit about film, I very much view things as an audience member. For me, whether it's TV, film, theater, whatever, it's a big movie, a small movie, whatever it is, I look for the truth in it. I look for the honesty. I just look for if it feels honest and real to me.

I approach everything the same. I try to make it as real as possible, whether you gotta make people laugh or make people cry, it's always the same approach for me. But if I start doing pratfalls, somebody please pull the plug on me.

There are very few films or plays or anything about really happy people with perfect lives. Everyone is usually screwed up in some way and that is usually where the work comes in - figuring out how to make it believable and make it real to present someone.

I'm not perfect-looking and I don't say the right things, I'm a little different, nothing really special, but I guess I come across as a little more real to people and that comes through on the screen. I know I look young, but with the right make-up I can look older. I definitely feel older.

I love watching people be totally committed in a very real way to stupid situations. I find it's not so much trying to be funny, it's trying to be real in a messed up context. That's comedy to me.

I use people's real voices because I want realism. So often I mention the actors' physicality because I want it to be like a real documentary.

I think everything needs to be played real, for reality's sake, for truth. And that is the drama and the comedy. When you do that, it's funnier. And when you do that, you really do hit the emotional beats. I do it the same way as I do a drama. I just play it for truth, and then maybe have a little bit of fun with it sometimes.

I try to shoot the first rehearsal because people are more spontaneous. People in real life don't really know where they are going to be either positioning themselves or how they will be saying their words. When people goof during the first take, it usually looks realistic.

I like to do stand-up for people who live real life.

Human beings have a bunch of different dimensions, so even if you're playing someone who you think maybe the audience might not like, might not be going for, you still have to give them the dimensions to make them a real human, otherwise there's no point.

The interesting trick of comedy, in a lot of ways, is to have both the comedy and the grounding of the real thing. You get a real sense of a human being.

I think all tragedies are best told with some humor. You have to relieve the darkness to let the reader get through it. Also, that life has happiness and sadness mixed together. If you told a story that was all darkness, it wouldn't be real.

That to me is what my idea of film acting should be. There shouldn't be any acting. You should just be watching a real person.

You can't just play crazy. It makes you push yourself to stay in the realm of reality. And when you do that, it's a lot funnier. That's my favorite, when you think it's a real strange person and not just someone being wacky.