Eric McCormack Quotes

When I was starting out, William Goldman took me under his wing, and he's still the person I show pages to.

I might find out about a songwriter and start following them on Instagram. Within a day, we might be hanging out and feeling out whether we can work together.

I know Noah Baumbach from a long time ago. We were hanging out one night, and he asked if I wanted to be in his movie. If somebody whose stuff you really like says, 'Hey, you want to do it with me?,' you got to do it. I would like to say that I get these offers all the time, but I don't.

I felt as if I was the brunt of some massive joke at my expense: Can you believe this loser can be connected to Marlon Brando and Katharine Hepburn? But through the years I have learned to tolerate and sometimes embrace the idea. People have asked me if I consider it an honour. Well, all it indicates is that I've been in a lot of movies with a lot of people. And besides that there are plenty of other actors that would work.

Everyone wants to know what you want to work on and everyone wants to pitch you what they're working on. And that's just part of the process. And hopefully, at some point you find someone of like minds and you make a film.

I had also wanted to work with Aaron McGruder for a long time and there were a few other people on the project that I really wanted to work with,so it seems like a miracle of a project ['Black Jesus'] was handed to me.

Early on in my career I got a part in Revenge Of The Nerds II: Nerds In Paradise. If I hadn't done that I wouldn't have met Tim Busfield and if I hadn't met Tim Busfield, I wouldn't have met Aaron Sorkin. So Nerds II took me straight to the White House!

Chance favors the connected mind.

I spend 90% of my time with people who don't report to me, which also allows for serendipity, since I'm walking around the office all the time. You don't have to schedule serendipity. It just happens.

I'm still in the middle of the transition. I'm still in man-boy mode. And that won't go away for a while. But it's a fun time to be in, because it's very rare that people get to work through this time. It's rare to see a John Cusack in Say Anything. It's rare that you'd find an actor right in the cusp of the child-to adult transition, just got through puberty, just getting into a different way of life. There's few movies like that, and few roles like that, so it's going to be tough to pick and choose. I guess the goal is good people, work with good people.

I had seen Orange Is The New Black show on Netflix and the first thing that came to my mind was, "Why am I not on this show? It's just irritating me right now." So I made some phone calls and told them, "I want to be on your show." And they found a spot for me.

He [Stuart Immonen] and I have known each other over email for 18, 19 years or something, so to finally work with him is like kissing the girl that you always wanted to kiss.

I've made a career over the last seventeen years of mostly playing men in uniform, especially cops. The one thing for an actor that is completely death is if you're bored, because that boredom will show in your work. So there was an inherent challenge in trying to keep it fresh, because it's something that I'm familiar with, but the real draw for me was at long last to work with Halle. She and I had come close to working on two other films together prior to this one that unfortunately had fallen apart for various reasons.

Campbell [Scott] also directed me in a film with Hope Davis called Final. That was the first thing we did together, but I've known him for years.

I've worked with Andre Techine lately and with a young unknown director on a short film. I choose my roles carefully.

[Payne] was a really great experience, and both John [ Larroquette] and JoBeth [Williams] over the years, it's been great reconnecting with them and working with them on other projects as well.

We'd all [with Mike Mitchell] been together at Dreamworks for over ten years, so we all had the same goals.

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I remember I had scenes with Melinda McGraw in "Ides Of March" that I didn't have in "Video Vigilante," but I can't quite picture that other character. But it was Vancouver, and that year was crazy

Woody [Harrelson] and I actually worked together years ago on North Country. So I felt completely at ease.

I just wish that I had a part in everything Aaron Sorkin wrote. Sometimes I wish I was a member of an acting troupe where we all just kept working together, the same people. I can't, unfortunately, be in everything he writes. I'm excited for him, but I'm jealous that I wasn't a part of it.

I had a strong identity in mind but then of course I had to trust Didier Dubot's expertise. They've been doing jewelry for so many years.

It was really cool to get to know her as a person and artist. And getting to act with her after a year of knowing her and be like, "Oh my god! There's a whole 'nother thing here!" It was really cool to be her friend and then see Ellen Page on the set.

I wouldn't mind collaborating with anybody, but I don't want to design anything, I'm not a fashion designer.

For me, a lot of these actors are new. For me, I only worked with Finn Whittrock and Michael Chiklis. So a lot of these actors are people I've been a huge fan of for years and are bucket-list actors for me to get to work with. It's pretty surreal now getting to step into scenes with them.You all get to find your characters together.