RUSSELL T DAVIES

I hate the idea that I have to represent any particular section of society; I just write good telly, that's all.

I love having debates with people when they are debates but some people, you just can't. Some people shouldn't be given the oxygen.

The marvelous thing about 'Doctor Who' is that it tells stories that no one else can tell.

Drama's not safe and it's not pretty and it's not kind. People expect the basic template of television drama where there might be naughty villains, but everyone ends up having a nice cup of tea. You've got to do big moral choices and show the terrible things people do in terrible situations. Drama is failing if it doesn't do that.

It's tough and it should be tough - it should never be easy to be given millions of pounds to make a drama. The coalition government is doing terrible things to the BBC, but drama will survive even if we end up putting on a play in a backroom of a pub.

Steven wrote to me today, saying, 'Don't you feel like sticking your head out of the window and yelling, "I DON'T KNOW WHAT I'M DOING!!!"' Yes, absolutely. Solidarity. Fear is always the same. Different worries with different scripts, but the same baseline fear.

...Something we once loved, and love now, in the shape of a book. Maybe eBooks are going to take over, one day, but not until those whizzkids in Silicon Valley invent a way to bend the corners, fold the spine, yellow the pages, add a coffee ring or two and allow the plastic tablet to fall open at a favorite page.

...The very word 'fiction' implies another world, literally a different place, whereas no one claims that a dedicated sportsman is escaping his life, or a chef or a nurse. But the poor writer - the sci-fi one especially - is seen as running away. Bollocks. This is real, for me, and it's tough, it's fun, it's practical, and it's very, very important.

Wilf: God bless the cactuses! The Doctor: That's cactI. Alien: And that's racist!

I dread the day I leave [Doctor Who], because then I'll have to go back to writing bedrooms and offices and pubs. And maybe a field, if I'm lucky.

The Doctor: Rose... before I go, I just want to tell you: you were fantastic. Absolutely fantastic. And do you know what? [Pause] So was I!

I am the Bad Wolf. I create myself. I take the words. I scatter them... in time, and space. A message to lead myself here.

Writing isn't just a job that stops at six thirty... It's a mad, sexy, sad, scary, ruthless, joyful, and utterly, utterly personal thing. There's not the writer and then me; there's just me. All of my life connects to the writing. All of it.

I would rather be confused for 10 minutes than bored for 5 seconds.

There's nothing better than a party that turns into a death trap.

You’re far more likely to see a naked woman than a naked man. It’s only [seen as] rude because the rest of television is rather tame – it doesn’t actually talk about sex and our bodies and how we feel about them. I’m not out to shock.

My God, that scene in Monster Inc. where the monsters realise that their entire world is founded on hurting children -look at that for a change! Two galumphing cartoon characters making a shattering realisation about their world and their role in sustaining it. A truly epic moment. It's stunning.

Buffy the Vampire Slayer showed the whole world, and an entire sprawling industry, that writing monsters and demons and end-of-the-world is not hack-work, it can challenge the best. Joss Whedon raised the bar for every writer - not just genre or niche writers, but every single one of us.

Maybe that's when bad scripts are written, when you choose the theme first. I consider that I've something to say when I've thought of a person, a moment, a single beat of the heart, that I think is true and interesting, and therefore should be seen.

Rose: My mum's here. The Doctor: Oh, that's just what I need! Don't you dare make this place domestic! Mickey Smith: You ruined my life, Doctor. [the Doctor turns and looks at him, irritated] They thought she was dead, I was a murder suspect because of you! The Doctor: [looks at Rose] See what I mean? Domestic! Mickey: I bet you don't even remember my name! The Doctor: Ricky. Mickey: It's Mickey! The Doctor: No, it's Ricky. Mickey: I think I know my own name! The Doctor: You think you know your own name? How stupid are you?

In the end I sort of though we created a companion who was so alive and dynamic and so wedded to the doctor that you’d need a whole universe to contain her in. The only way to get rid of her is to send her into a parallel world from which she can never return; otherwise she would stay with the doctor forever.

[David Tennant's] Doctor has such humanity, he seems to understand us and he's very warm, so he's a comforting Doctor to be with, and he enables us to be slightly scarier than we had been.

Fun, that's the word I keep on using. That's the word I worry about when other writer's scripts get too dark. Optimistic. Fun. And to be optimistic and have fun there's got to be a darkness there. I think that's a very British attitude.

Harriet Jones: Did you notice when they fart, if you'll pardon the word, it doesn't just smell like a fart, if you'll pardon the word, it's something else. What is it? It's more like, um... Rose Tyler: Bad breath. Harriet Jones: That's it! The Doctor: Calcium decay. Now that Narrows it down!.. Calcium phosphate. Organic calcium. Living calcium. Creatures made out of living calcium. What else - what else? Hyphenated surnames. Yes! That narrows it down to one planet! Raxacoricofallapatorius! Mickey Smith: [sarcastically] Oh yeah, great! We can write 'em a letter.

Doctor Who: You want weapons? We're in a library. Books are the best weapon in the world. This room's the greatest arsenal we could have. Arm yourself! (from Tooth and Claw in Season 2)