RORY KENNEDY

I think it can be really powerful, and one of the reasons I love making films is I do feel they can reach beyond the statistics and the numbers and the complexities of a particular issue and really highlight the humanity in a way that an article or newspaper story might not be able to do.

The U.S. has represented throughout its history a commitment to human rights and the law - shining a light on what happened at Abu Ghraib exposes our departure from this long-term commitment. It does not, however, excuse the atrocities carried about by Saddam Hussein and others.

The thing is that my father's story helps to communicate what was at stake with my mother, and my mother and father had so much a partnership that his story is integral to her story, as her story is to his - really, her story can't be told without his story.

I'm not sure I would make a direct connection between having press attention as a young person and being interested in the media as an older person. I came to it more organically, coming from a family of Irish Catholic storytellers. Storytelling is a pastime and important part of my family's history and culture.

I was attracted to filmmaking in college because of my love of storytelling. You can have such an impact and reach a broader audience than conventional journalism.

When I graduated from Brown after majoring in women's studies, I made my first PBS documentary, 'Women of Substance.' My first feature documentary was called 'American Hollow,' which I did for HBO and was at the Sundance Film Festival.

I had long been resistant to doing a documentary about my mother for personal reasons. And I thought there was no way she'd want to, but then I asked her and she said 'yes.'

I think there is a lot to be said for the respect that our parents had for children, and for my brothers and sisters and me at a very young age, and for exposing them to the world and what's out there.

I'm all for having an empowered first lady who can really use that position to improve conditions, be a role model and make change.

I've been doing documentaries for about 25 years and want to continue to do that, but I love the idea of working in a different medium. Advertising pushes the envelope creatively, and there is some really great work being done right now, so I'm excited to jump into it.

There's a great op-ed piece by Kurt Johnson, who runs The List Project, that I recommend everyone read. He was talking about how he's been trying to get out of Iraq who were our allies, who are now subject to torture, and their families are being killed because of their alliance to the United States.

The thing is that my father's story helps to communicate what was at stake with my mother, and my mother and father had so much a partnership that his story is integral to her story, as her story is to his - really, her story can't be told without his story.

When I graduated from Brown after majoring in women's studies, I made my first PBS documentary, 'Women of Substance.' My first feature documentary was called 'American Hollow,' which I did for HBO and was at the Sundance Film Festival.

I was attracted to filmmaking in college because of my love of storytelling. You can have such an impact and reach a broader audience than conventional journalism.

You need to think, when you get involved in wars, how you're going to get out of them.

I'm not sure I would make a direct connection between having press attention as a young person and being interested in the media as an older person. I came to it more organically, coming from a family of Irish Catholic storytellers. Storytelling is a pastime and important part of my family's history and culture.

I've always been interested in Vietnam, feel it's a seminal event in our nation's history, and have explored it over the years - but I hadn't been interested in doing a documentary about it. I felt there had been a lot done about Vietnam, and didn't know if I could add anything new to the discussion.

I had long been resistant to doing a documentary about my mother for personal reasons. And I thought there was no way she'd want to, but then I asked her and she said 'yes.'

With 'Women in Hollywood,' I didn't direct it, but I produced it, and what we did is followed the money of Hollywood and how that intersects with issues relating to women and, frankly, sexism.

I think it can be really powerful, and one of the reasons I love making films is I do feel they can reach beyond the statistics and the numbers and the complexities of a particular issue and really highlight the humanity in a way that an article or newspaper story might not be able to do.

I think there is a lot to be said for the respect that our parents had for children, and for my brothers and sisters and me at a very young age, and for exposing them to the world and what's out there.

I'm all for having an empowered first lady who can really use that position to improve conditions, be a role model and make change.

I am now using media as a tool to bring attention to marginalized people.

I've been doing documentaries for about 25 years and want to continue to do that, but I love the idea of working in a different medium. Advertising pushes the envelope creatively, and there is some really great work being done right now, so I'm excited to jump into it.

I don't think films in and of themselves create radical change, but I think a film can contribute to people's understanding and deepen their understanding and help contribute to a shift.

Many of the soldiers suffer from post-traumatic stress disorder, and have not been supported by the government when they've requested psychological help. Of course, the prisoners continue to suffer physically and psychologically. Much needs to be done - torture has a negative impact on everyone it touches, including us, Americans, as a nation.

Sometimes we want to engage in a war for financial reasons, for strategic reasons, for moral reasons, for all sorts of reasons, and it's important when we're making that decision to remind ourselves of what happens to the people on the front lines when we start this process.

While Daddy liked to stick to the rules, Mummy liked to bend them.

People standing up and saying, 'This isn't right,' is certainly a quality I admire in specific circumstances. There are people who do that and have a different set of politics, and then I don't necessarily agree with what they're doing and why they're doing it. But the act in and of itself of saying something is wrong and standing up for what they think is right is something I generally admire.

I never aspire to be objective because I don't believe in objectivity. It's important to be truthful, and it's important to make sure that the audience has a solid sense of what the expectation should be of a particular film.

The world - and America - has been defined by people who haven't necessarily abided by the laws and the rules. Civil disobedience is part of our nation's history and has redirected our country in many instances, from the feminist movement to the Civil Rights movement and beyond.

The U.S. has represented throughout its history a commitment to human rights and the law - shining a light on what happened at Abu Ghraib exposes our departure from this long-term commitment. It does not, however, excuse the atrocities carried about by Saddam Hussein and others.