RICK YANCEY

Ever since I was young, 14 or 15, I wondered if you could write a book that combined the visceral thrill of watching a movie with the total immersion you feel when you're inside a good book. And I had some success as a screenwriter before I began writing books.

I got a very late start at fatherhood. I'm a late bloomer in general. It took me seven years to get through four years of college. I was five years away from 40 before I had a family, and I had never been around kids much at all. All of a sudden, I was around three boys all the time.

I've loved sci-fi and speculative fiction since I was a kid. It was inevitable I'd try my hand at it at some point.

My first favourite book was 'Are You My Mother?' A picture book about a lost bird. After that my favourites changed almost yearly. I loved everything by Roald Dahl, but my favourite was probably 'Charlie and the Chocolate Factory.' A librarian gave me a first edition of that book, which I treasure.

'The 5th Wave' is sci-fi, but I tried very hard to ground the story in very human terms and in those universal themes that transcend genre. How do we define ourselves? What, exactly, does it mean to be human? What remains after everything we trust, everything we believe in and rely upon, has been stripped away?

When civilizations collide, it usually isn't the more primitive one that prevails.

One lesson I learned from 'The Monstrumologist' was never to get too attached to your own characters. That's harder in practice than in theory. At the end of the third book - which coincided with the end of my contract - I was an emotional wreck. I mourned Will Henry and Warthrop.

Human beings are remarkably resilient. When you think about it, our species has been teetering upon the edge of the existential cliff since Hiroshima. In short, we endure.

It's been a while since I've written a novel aimed at the adult market, but I never sit down and say to myself, 'Okay, now I'm going to write something for us old folks.' I get gripped by an idea, and I go where the idea takes me.

'Tax Collector' was optioned for a series with F/X, but it never happened. I guess they ran into a problem trying to figure out why someone would tune in to watch a show about a guy who works for the IRS.

Being born at the tag-end of the baby boom, I was destined (or doomed, depending on how you look at it) to fall in love with sci-fi. It was one of my first literary loves, as a matter of fact.

I've always wanted to write science fiction. It was one of my first loves, and I knew if I became a writer someday I'd probably write something in the science fiction vein, but I hesitated for a long while because it's such well-trod ground.

Sci-Fi is the genre that explored both possibilities: the end of our existential crisis and the end of our existence. My novel, 'The 5th Wave,' explores the latter scenario, because, frankly, I believe it represents the likeliest outcome of an extraterrestrial encounter. In short, if they're out there, we better hope they never find us.

My foray into young adult lit was by no means planned. I wrote the first 'Alfred Kropp' book as an adult novel, which everyone loved but no one would publish - until I changed my protagonist from a thirty-something P.I. into a 15-year-old kid. After that, it was off to the races, and I am so glad.

Great sci-fi has never shied from tackling the Big Questions, though really great sci-fi never forgets to entertain us along the way. Shock and awe applies to art, as well.

The aliens of 'The 5th Wave' are not the aliens we've imagined. Not the aliens we'd like to attack us.

I always feel trepidation at the beginning of every project. I worry about so many things. Time to get it right, the skill to do it justice, the will to finish. I also worry about more mundane things, like what if my computer crashes and I've forgotten to back up the manuscript?

The way we learn to write is the way we learn to talk: We listen to others and start mimicking speech, and that's how we come to become speakers. Writers you admire, you admire the way they plot, you admire the way they create a character, you admire the way they put a sentence together, those are the writers you should be reading.

I really kill myself on titles, although 'The 5th Wave' seems like an obvious title, doesn't it? You don't know how long that took me.

One of the joys of a really good book is that you're so into the world of the book, you forget what you're looking at is words on a page.

I have a very low tolerance for boredom and often think I would have missed out on books entirely if I'd grown up in the Internet and video game age. Now I enjoy books for people of all ages, including children.

Perhaps God waits for us to be empty, so he may fill us with himself.

I assure you, Constable Morgan, I am quite sane, as I understand the word, perhaps the sanest person in this room, for I suffer from no illusions. I have freed myself, you see, from the pretense that burdens most men. Much like our prey, I do not impose order where there is none; I do not pretend there is any more than what there is, or that you and I are anything more than what we are. That is the essence of their beauty, Morgan, the aboriginal purity of their being, and why I admire them.

I didn't save you," he whispers, lips tickling my eyelashes. "You saved me.

Afterward I told his widow, "Your husband is dead, but at least he died laughing.' I think she took some comfort in that. It is the second-best way to die, Will Henry." He did not say what the best way was.