MICHELLE MACLAREN

In general, we like to shoot Breaking Bad like a modern day Western, and Sergio Leone is one of my all-time favorite directors.

Graphic novels are such a visually creative world - it's really interesting what they can do in one sketch. Now I'm hooked.

Would I like to do a feature? Absolutely.

Every character a writer creates has some of themselves in it somewhere.

I seem to gravitate toward the dark side of things when it comes to directing. I love action, but I love the drama as well.

I always say, 'I love producing, but directing is my passion,' and for a while, I had to produce to support my directing habit.

My feeling is, from when I started on 'Breaking Bad,' there's no reason to pick and choose because every episode is great. Whatever episode you get, you're lucky to do it.

I love the dark comedy in 'Breaking Bad.'

The type of producing that I did for many years involved working very closely with directors.

I'm not surprised that I tend to go for the dark side. I was a really scared kid, so I think I understand what scares people.

Would I like to do a feature? Absolutely.

Sometimes I forget to say 'cut' because I am so lost in the performance.

I'm not surprised that I tend to go for the dark side. I was a really scared kid, so I think I understand what scares people.

My feeling is, from when I started on 'Breaking Bad,' there's no reason to pick and choose because every episode is great. Whatever episode you get, you're lucky to do it.

I did every odd job you could possibly imagine: Holding a sign in the rain for 14 hours straight, sweeping up cigarette butts, pouring coffee, running around - anything I could to be on a film set. I wanted to be in the business. So I'd say, 'You need that job done? Fine,' and I became indispensable to people.

I really want to be part of things from the ground up wherever possible. Not to say that I'm not open to being a gun for hire - I am, absolutely - but I really enjoy developing.

'Once Upon a Time in the West' is one of my favorite films.

After I directed for the first time, I wanted to call every director I'd ever worked with and apologize. In television you are tasked with shooting 42 minutes, or whatever, in eight days. That's not a lot of time.

Every character a writer creates has some of themselves in it somewhere.

I seem to gravitate toward the dark side of things when it comes to directing. I love action, but I love the drama as well.

Vince Gilligan and AMC are really wonderful people to direct and produce for because they don't put the demands of any conventionalism on you.

I always say, 'I love producing, but directing is my passion,' and for a while, I had to produce to support my directing habit.

I approach an action sequence almost like a mathematical problem. Sometimes you get these action sequences that you read and go, 'Oh my God, this is huge, how do I do it?' and I go, 'Just a step at a time. Sit down and plot each piece of it out.'

I love the dark comedy in 'Breaking Bad.'

I've been very fortunate to have the opportunity to work on wonderful shows.

Graphic novels are such a visually creative world - it's really interesting what they can do in one sketch. Now I'm hooked.

The type of producing that I did for many years involved working very closely with directors.

I always say that AMC hires filmmakers, and they let them be filmmakers.

I will never leave television.

I love television. Television is a great medium; I'm fortunate enough to direct amazing television.

'Breaking Bad' was a magical, amazing experience. I'm honored to have been a part of it.

In 'Breaking Bad,' we have a lead character who definitely finds himself in a situation he would never have expected to find himself in normally.

A montage is incredibly challenging. When I can, I'd like to know what the music is going to be ahead of time because that will affect the beat, the pace of the montage.

In general, we like to shoot Breaking Bad like a modern day Western, and Sergio Leone is one of my all-time favorite directors.