MAX WEINBERG

I have to give my family credit for putting up with the racket, because as some of you may know, its not the easiest thing in the world to live with a kid who's trying to become a rock and roll drummer.

More than any other drummer, Ringo Starr changed my life. The impact and memory of that band on Ed Sullivan Show in 1964 will never leave me. I can still see Ringo in the back moving that beat with his whole body, his right hand swinging off his sock cymbal while his left hand pounds the snare. He was fantastic, but I think what got to me the most was his smile. I knew he was having the time of his life.

All I ever wanted to do was play the drums; I felt good about myself when I played the drums. So I worked anywhere and everywhere I could lug my drums in.

I have been very lucky to find something I am good at and can make money at... Playing with Bruce was the embodiment of everything that a little kid could dream about.

As with any art, you create it [drumming] out of something that isn't there. It's very architectural. It's the architecture of whatever piece of music I'm playing. I think the whole idea of drumming is to allow other people around you to more easily express themselves.

The best thing about the E Street Band was we had the best lead singer around.

I was a really crazy kid. I'm still a crazy kid. That's the nice thing about being in a rock band. You can feel 14 forever.

I take my fun very seriously, whether it's playing the drums or acting in comedy bits. The need to be disciplined about it, and not take it lightly, and not be too casual, is something I take deeply to heart.

There's a certain groove you pick that makes the music flow, and when you have it it's in your pocket. It's the feeling behind the rhythm... to me, the hardest thing to strive for is that feeling, behind the groove.

I will always desire to play with Bruce Springsteen. He's the most inspirational, most dedicated, most committed and most focused artist I've ever seen. I like to be around people like that.

I have to give my family credit for putting up with the racket, because as some of you may know, its not the easiest thing in the world to live with a kid who's trying to become a rock and roll drummer.

I will always desire to play with Bruce Springsteen. He's the most inspirational, most dedicated, most committed and most focused artist I've ever seen. I like to be around people like that.

I was a really crazy kid. I'm still a crazy kid. That's the nice thing about being in a rock band. You can feel 14 forever.

All I ever wanted to do was play the drums; I felt good about myself when I played the drums. So I worked anywhere and everywhere I could lug my drums in.

I take my fun very seriously, whether it's playing the drums or acting in comedy bits. The need to be disciplined about it, and not take it lightly, and not be too casual, is something I take deeply to heart.

My father wasn't a very good lawyer. He thought the law was sacred and something that was meant to help people. He didn't charge people like he should have... which is why I was allowed to play bars and strip joints when I was 14.

I think 'Bat Out Of Hell' will probably last forever.

The best thing about the E Street Band was we had the best lead singer around.

I have been very lucky to find something I am good at and can make money at... Playing with Bruce was the embodiment of everything that a little kid could dream about.

There's a certain groove you pick that makes the music flow, and when you have it it's in your pocket. It's the feeling behind the rhythm... to me, the hardest thing to strive for is that feeling, behind the groove.

More than any other drummer, Ringo Starr changed my life. The impact and memory of that band on Ed Sullivan Show in 1964 will never leave me. I can still see Ringo in the back moving that beat with his whole body, his right hand swinging off his sock cymbal while his left hand pounds the snare. He was fantastic, but I think what got to me the most was his smile. I knew he was having the time of his life.

My basic political posture is "what a shame the human race did this to earth." What we have done environmentally, politically, culturally.

As with any art, you create it [drumming] out of something that isn't there. It's very architectural. It's the architecture of whatever piece of music I'm playing. I think the whole idea of drumming is to allow other people around you to more easily express themselves.