MALACHI KIRBY

My dad passed when I was 6. I found out when I was about 21 that my dad always said acting would be the making of me. Where he got that from, I have no idea.

'Roots' focuses on a particular group of people who defy the odds and win, eventually, even if it isn't in their lifetimes. This is, for me, a very positive story and a very empowering one, if only we have that perspective on it.

My knowledge of my ancestry, like a lot of black people not living in Africa today, is very vague.

I was taught about slavery, but it was the ancient Egyptians. That's the closest I got to African history.

There was a period when I had apple pie as a treat every day of the week. I mean, like, a family apple pie.

You're always going to have typecasting, especially with TV.

Schoolkids - black and white - would call me Kunta Kinte as a cuss. If ever my hair was particularly messy, if ever I looked scruffy at school, I would be called Kunta Kinte. My first impression was that it was bad to be African and bad to be associated with him.

When I was in school, my first acknowledgement of 'Roots' was Kunta Kinte.

My mum is... interesting. So, like, she's very expressive and loving, but even if she does get excited about any of my achievements, she won't show it... There's something about her that wants to keep me humble.

Playing Kunta Kinte is an emotional, physical, spiritual, and mental journey.

If you're good enough to play a role with emotion and universal human elements, then you'll get others coming to you.

I was 22 when my mother gave me the original box set of 'Roots' and she said, 'I want you to watch this.' I watched the whole thing back to back in the span of 24 hours. It had a profound effect on me. It felt like my story.

There are many people still ashamed of their roots because of the negative connotations that come with being an 'African.' That sentiment exists many places around the world - in England, in the U.S., everywhere.

I think about Shakespeare. Because there have been hundreds of variations of Shakespeare's plays since they've been written, and I believe it's because they're important. They're still relevant today. 'Roots' is still relevant today. The idea that we shouldn't tell this story again is very strange to me.

I haven't experienced a lot of prejudice in my life, but I'm not naive to what goes on in the world.

Even around my family, I hardly spoke. I was very reserved.

Charlie Brooker is crazy.

I found that there were things that God could reveal to me that I could never get myself physically.

Kids under, I'd say, 14 are still maturing; they are still growing. They are still understanding themselves. To hit them with something like 'Roots,' to hit them with this particular period of time, it's important to discuss the matters beyond the program itself.

Mum used to say that when I went out of the house, I represented her. I took that seriously. So I didn't get involved with a lot of things. I held myself in a particular way.

I was the shiest person you could think of. I didn't really speak. I was an only child, so most of my life I spent in my bedroom playing with toys by myself, speaking through them.

At first, I had this huge desire to play a superhero, that little kid in me. Then I realized it wasn't actually a superhero I wanted to play: it was someone fighting for a cause that's bigger than themselves, which can go into all sorts of things.

I wasn't raised Christian. I certainly had to seek Him out and find Him, and it's changed my life. I'm so glad I did.

I never got picked for the athletics team for about three years. I was in my third year, and I really wanted to join, and I kept basically knocking on the door of the PE coach. 'Can I join? Can I join?' He's like, 'No... No.' And then one day, he's like, 'Okay, you want to race? Cool. We have a free spot for you. You're gonna be doing the 400.'

I don't think I've ever spoken to anyone who's told me that the story of 'Roots' isn't important.