LISA BONET

When I was 16 I was fortunate enough to get Cosby and move to New York and shift my whole life. that had been my dream all along, and it came true.

I'm a shy person. I don't know if it's in my DNA to share with the world.

I took solace in my relationship with God who, along with my dog, was my best friend growing up.

I felt devalued and disrespected. The energy behind it felt disingenuous and motivated by corporate profit.

Success made me self-sufficient, but it also took away my anonymity. I'm just this quiet nobody, and all of a sudden people are nervous around me. That was kind of weird.

Let those who know know, and let me keep what little privacy I can.

I have a desire to create more film, more beauty, more art, more love, but I don't feel desperate. It's not about creating or building a career.

What saddens me is the corruption of youth and beauty, and the loss of soul, which is only replaced by money.

We're getting ready to take over the world. My group of girlfriends - we're renegades.

I work with youth offenders in LA, I've heard them speak and see how music manipulates them.

I'm part of an important movement that needs to happen.

Having Zoe saved my life. It was my wake-up call. There were so many things I didn't want to pass on to her.

Everyone has their story. Everyone has issues. You have to face your fears.

I was literally the black sheep of the family, and there were definitely moments of discomfort while my grandmother was working through her racism.

The Cosby years were a major part of my life, but it is the past; I don't really concentrate on it.

Once a week we go to juvenile hall and talk to boys there. Just go and spend a day in the juvenile courts.

That industry expects you to prove yourself over and over again. Do I stay doing this, or do I raise my daughter and live surrounded by people who love me? Wasn't even really a choice.

My life is art. Its how I express God.

An instructor once told me that when there's resistence in your body, it's only because of the resistence in your mind. It's about getting inside the pose. Being the breath.

My desire to participate in the business is not to make more crap.

We use a Native American tradition of the talking stick. You sit and pass it around and whoever has the stick has to talk. Some people just hold it. Others really share.

Prisons are like the concentration camps of our time. So many go in and never come out, and primarily they're black and Latino.

I was obsessed with the Olympics. It's so exciting to see that level of excellence and endurance.

A group of us started a community center in Santa Monica. We've tried different programs, and three have worked really well. A poetry group. Once a week we visit Venice High and talk to girls at risk.

I spent a lot of time feeling alienated and rejected.