LINDA GRANT

When I was a child, on Sunday mornings the family would assemble around the blue-leather-covered gramophone to listen to records.

Revenge is so much more satisfying than regret.

The clothes you wear are a metamorphosis. They change you from the outside in.

When I was in my 20s in the 1970s, I read all of Jean Rhys. I have reread very little since because the first impressions were so powerful they have stayed with me.

It became obvious to me that the generation who changed the world were my parents' generation, and not only in terms of the Second World War, but if you look at all the social legislation of the '60s - abortion, homosexual law reform, equal pay - it wasn't done by my generation; it was done by people who were adults.

When I was 20 I was immensely proud of the rows of grey-spined Penguin Modern Classics in my bookcase.

I'm a really hectic dreamer; I never wake up not out of a dream, and there's loads going on, lots of action, big blockbuster dreams, they're all major enterprises.

The legacy of women's war work is our present post-industrial employment structure. It was the war that created the demand for a technologically advanced, de-skilled, low-paid, non-unionized female workforce and paved the way for making part-time work the norm for married women now. A generation later, it was the daughters of wartime women workers who completed their mothers' campaign for equal pay.

Many of us, whether in the jungles of Asia or on the streets of Chicago, had discovered that noble causes can lead to ignoble actions and that we were capable of sacrificing honor to a sense of efficacy.

I'm not shy, not reclusive, not any of those things, but the idea of a day in front of me when I have nothing to do, is just, oh what pleasure!

I am not by any stretch of the imagination a tidy person, and the piles of unread books on the coffee table and by my bed have a plaintive, pleading quality to me - 'Read me, please!'

I was embarrassed by my parents. I thought they had nothing of interest to say or contribute to anything. My real crime was not understanding that they were interesting, and I have been trying to make it up to them for being so indescribably blase, so genuinely uninterested and dismissive.

Times were very hard if you were a poor, politically correct Jewish girl living in the east end of London during the Blitz and you were trying to eke out a living as a hairdresser.

When I was in my 20s in the 1970s, I read all of Jean Rhys. I have reread very little since because the first impressions were so powerful they have stayed with me.

When I was 20 I was immensely proud of the rows of grey-spined Penguin Modern Classics in my bookcase.

I'm not shy, not reclusive, not any of those things, but the idea of a day in front of me when I have nothing to do, is just, oh what pleasure!

When I was a child, on Sunday mornings the family would assemble around the blue-leather-covered gramophone to listen to records.

I'm a really hectic dreamer; I never wake up not out of a dream, and there's loads going on, lots of action, big blockbuster dreams, they're all major enterprises.

It became obvious to me that the generation who changed the world were my parents' generation, and not only in terms of the Second World War, but if you look at all the social legislation of the '60s - abortion, homosexual law reform, equal pay - it wasn't done by my generation; it was done by people who were adults.

Clothes as text, clothes as narration, clothes as a story. Clothes as the story of our lives. And if you were to gather all the clothes you have ever owned in all your life, each baby shoe and winter coat and wedding dress, you would have your autobiography.

I realized how for all of us who came of age in the late sixties and early seventies the war was a defining experience. You went o r you didn't, but the fact of it and the decisions it forced us to make marked us for the rest of our lives, just as the depression and World War II had marked my parents.

A new dress. Is this all it takes to make a new beginning, this shred of dyed cloth, shaped into the form of a woman's body?

The legacy of women's war work is our present post-industrial employment structure. It was the war that created the demand for a technologically advanced, de-skilled, low-paid, non-unionized female workforce and paved the way for making part-time work the norm for married women now. A generation later, it was the daughters of wartime women workers who completed their mothers' campaign for equal pay.

Many of us, whether in the jungles of Asia or on the streets of Chicago, had discovered that noble causes can lead to ignoble actions and that we were capable of sacrificing honor to a sense of efficacy.

Revenge is so much more satisfying than regret.

The clothes you wear are a metamorphosis. They change you from the outside in.

It's not the punch you expect that knocks you down.