JOSHUA OSTRANDER

Now is the time to get out there and give people a taste of 'Mondo Cozmo.'

I recorded 80 per cent of the record in my guest bedroom; then, when 'Shine' went to number one on one of the charts, the label called and said, 'Can you do an EP?' Then, 'Can you do a full length? And can you do it in two weeks?'

Looking back at it now, it's almost overwhelming, the amount of work that went into writing 'Shine', and to come up with the ideas that we're doing now.

Radiohead is one of the bands I appreciate. That's a great career band. It's not like critics are comparing us to a flash in the pan.

My first show was at my friend Corey Petrick's basement in Bucks County, PA.

I'm all over the place with what I listen to.

I was working two landscaping jobs; I was recording songs in the spare bedroom. I would get up at 4 A.M., go to work, get back at 6 P.M., have nap, then start recording, just go until I fell asleep.

I'm at a point in my life where I'm not going to be writing about NATO or NAFTA.

My dream is to play Coachella, main stage, when the sun's going down.

This whole 'Mondo' thing started when I saw Jack White perform at Coachella a couple of years ago. It was like a religious set, man.

I have songs that sound like this and songs that sound like that. I think it's just my vocal that keeps it all together.

I've got to give my neighbors a bottle of wine or something because I was just screaming into microphones and learning how to play instruments, and it was a lesson in patience for them, I believe.

All my lyrics are about my love life or the lack thereof.

I'm at a point in my life where I'm not going to be writing about NATO or NAFTA.

My dream is to play Coachella, main stage, when the sun's going down.

Now is the time to get out there and give people a taste of 'Mondo Cozmo.'

This whole 'Mondo' thing started when I saw Jack White perform at Coachella a couple of years ago. It was like a religious set, man.

I grew up really religious, and my family still is, but I'm not so much. That scene in 'Cool Hand Luke', it just destroyed me.

I don't practice very much anymore.

I was doing some research and stuff and reading about Bowie. When he referred to his music as 'plastic soul,' I was like, 'That is the coolest thing I've ever heard.'

I tried to play some trumpet and stuff, so I had to figure that out. I record everything in my house.

I'm all over the place with what I listen to.

It's cool seeing stuff, like, that come together really quickly and the reaction that it gets.

Radiohead is one of the bands I appreciate. That's a great career band. It's not like critics are comparing us to a flash in the pan.

My drummer was my best friend. It weighs on me that we put all that time in - I played with him for 15 years, beginning with 'Laguardia' - and we had moderate success.

I have a weekly playlist on Spotify called Mixtape Mondays. So every Sunday night, I sit around listening to tunes to place. It's becoming my favorite part of the week.

Everybody laughed at me when I said I wanted to make a dance video, but when I said, 'What would it look like if Joe Strummer made a dance video?' everybody shut up.

I recorded 80 per cent of the record in my guest bedroom; then, when 'Shine' went to number one on one of the charts, the label called and said, 'Can you do an EP?' Then, 'Can you do a full length? And can you do it in two weeks?'

My first show was at my friend Corey Petrick's basement in Bucks County, PA.

I was working two landscaping jobs; I was recording songs in the spare bedroom. I would get up at 4 A.M., go to work, get back at 6 P.M., have nap, then start recording, just go until I fell asleep.

I've never had T-shirts at the merch table before.

Looking back at it now, it's almost overwhelming, the amount of work that went into writing 'Shine', and to come up with the ideas that we're doing now.

I think 'Bittersweet' is one of the best songs ever written. The idea of it just really spoke to me.