JAMES HONG

My father was a restaurant man, laundry man in his lifetime. And I've often wondered how and why did I become an actor? Where did I get the so-called talent to express myself? And I look back, and I see that my mother was very animated. I can remember that she used to, what she called 'bei zhu.'

[While voicing] you have to create a feeling for what happened before a scene, what's going to happen after a scene, and what you are doing in a scene. You need to use your imagination even more and once your emotions are up, then your voice and expressions will go accordingly.

My dad wanted me to be a professional person, which I was - I was a civil engineer. I graduated from civil engineering at USC in California. I became an engineer, and I helped design the roads for the L.A. County Roads Department. And I did that for about one and a half years in a sense to please my parents - to be a 'respectable' person.

I am very fussy; I am very detailed; I nag a lot. So in a sense, I am like Mr. Ping. I am temperamental, I am emotional, I'm fussy, and I'm very exact. And I want people to not fail; I want them to execute - all those things Mr. Ping wants in other people. Or animals.

As long as I have the talent and there's a demand for the old Chinese man - whether he's a philosopher, or a master, or an old-time restaurant owner, or a villain, or a so-called good guy - I will always be working.

Doing comedy is still in my veins; that's my first love.

Nature, God, Buddha - someone has given me this health. I can break dance still; I can run; I can play basketball. In my mind, I can do anything. As long as I have that spirit, I'm going to keep doing it.

When you look at the piece of paper, and there's just words on there, you interpret it as the actor to whatever you think is right. There may not be the hidden meaning behind the dialogue, because you don't really get to see what's going on.

As long as I have the talent and there's a demand for the old Chinese man - whether he's a philosopher, or a master, or an old-time restaurant owner, or a villain, or a so-called good guy - I will always be working.

My dad wanted me to be a professional person, which I was - I was a civil engineer. I graduated from civil engineering at USC in California. I became an engineer, and I helped design the roads for the L.A. County Roads Department. And I did that for about one and a half years in a sense to please my parents - to be a 'respectable' person.

I am very fussy; I am very detailed; I nag a lot. So in a sense, I am like Mr. Ping. I am temperamental, I am emotional, I'm fussy, and I'm very exact. And I want people to not fail; I want them to execute - all those things Mr. Ping wants in other people. Or animals.

My father was a restaurant man, laundry man in his lifetime. And I've often wondered how and why did I become an actor? Where did I get the so-called talent to express myself? And I look back, and I see that my mother was very animated. I can remember that she used to, what she called 'bei zhu.'

Doing comedy is still in my veins; that's my first love.

Nature, God, Buddha - someone has given me this health. I can break dance still; I can run; I can play basketball. In my mind, I can do anything. As long as I have that spirit, I'm going to keep doing it.

When you look at the piece of paper, and there's just words on there, you interpret it as the actor to whatever you think is right. There may not be the hidden meaning behind the dialogue, because you don't really get to see what's going on.

[While voicing] you have to create a feeling for what happened before a scene, what's going to happen after a scene, and what you are doing in a scene. You need to use your imagination even more and once your emotions are up, then your voice and expressions will go accordingly.